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  Volume 37, Number 3, Fall 1994

Table of Contents

How to Do Things with Salesmen: David Mamet's Speech-Act Play

pp. 375-390

The Theatre of Punishment: David Henry Hwang's M. Butterfly and Michel Foucault's Discipline and Punish

pp. 391-400

Victorian and Modern Drama: Social Convention and Theatrical Invention in T.W. Robertson's Plays

pp. 401-420

"Dame Joan, Saint Christabel"

pp. 421-436

Adulteration as Clarity: Dramaturgical Strategy in Peter Nichols's Passion Play

pp. 437-450

Learn to Play the Game: Learning and Teaching Strategies in Ann Jellicoe's The Knack

pp. 451-460

Re(dis)covering the Witches in Arthur Miller's The Crucible: A Feminist Reading

pp. 461-473

Alice Gerstenberg's Overtones: The Demon in the Doll

pp. 474-484

In Defense of the Woman: Sophie Treadwell's Machinal

pp. 485-496

The Rise of Metadrama and the Fall of the Omniscient Observer

pp. 497-508

Authorization and Subversion of Myth in Shepard's Buried Child

pp. 509-520

Still Looking Back: The Deconstruction of the Angry Young Man in Look Back in Anger and Déjàvu

pp. 521-529

Book Reviews

Violent Acts: A Study of Contemporary Latin American Theatre by Severino João Albuquerque (review)

pp. 530-531

The Modern Brazilian Stage by David George (review)

pp. 532-534

Slavic Drama. The Question of Innovation ed. by Andrew Donskov et al. (review)

pp. 534-535

Peter Shaffer by C.J. Gianakaris (review)

pp. 535-537

Levitating the Pentagon: Evolutions in the American Theatre of the Vietnam War Era by J.W. Fenn (review)

pp. 537-538

Eugene O'Neill's Creative Struggle: The Decisive Decade, 1924-1933 by Doris Alexander (review)

pp. 538-540

Tennessee Williams & Elia Kazan: A Collaboration in the Theatre by Brenda Murphy (review)

pp. 540-542

Sam Shepard by David Derose (review)

pp. 542-543

American Drama of the Twentieth Century by Gerald M. Berkowitz, and: Modern American Drama 1945-1990 by C.W.E. Bigsby (review)

pp. 543-545

Approaching Theatre by André Helbo et al. (review)

pp. 545-547


pp. 548-549

Research Areas


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