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  Volume 36, Number 4, Winter 1993

Table of Contents

The Theatre of Thomas Murphy and Federico García Lorca

pp. 481-489 | DOI: 10.1353/mdr.1993.0031

Moscow Gold and Reassessing History

pp. 490-498 | DOI: 10.1353/mdr.1993.0034

Caryl Churchill's Mad Forest: Polyphonic Representations of Southeastern Europe

pp. 499-511 | DOI: 10.1353/mdr.1993.0002

The Devil and David Mamet: Sexual Perversity in Chicago as Homiletic Tragedy

pp. 512-518 | DOI: 10.1353/mdr.1993.0037

The Way of the World according to Mario Fratti

pp. 519-528 | DOI: 10.1353/mdr.1993.0019

"Through Soundproof Glass": The Prison of Self-Consciousness in The Glass Menagerie

pp. 529-537 | DOI: 10.1353/mdr.1993.0040

Bernard Shaw's The Simpleton of the Unexpected Isles: A New Approach

pp. 538-546 | DOI: 10.1353/mdr.1993.0025

Lips Together, Teeth Apart: Another Version of Pastoral

pp. 547-555 | DOI: 10.1353/mdr.1993.0010

Morality in Pirandello's Come tu mi vuoi

pp. 556-568 | DOI: 10.1353/mdr.1993.0048

Sweeney, Becket, and the "Marina Figure" in Eliot's Modern Plays

pp. 569-577 | DOI: 10.1353/mdr.1993.0051

The Clever Dog and the Problematic Hare

pp. 578-581 | DOI: 10.1353/mdr.1993.0007

Book Reviews

Jean Giraudoux, The Legend and the Secret by Jacques Body (review)

pp. 582-583 | DOI: 10.1353/mdr.1993.0043

Tom Stoppard and the Craft of Comedy: Medium and Genre at Play by Katherine E. Kelly (review)

pp. 583-585 | DOI: 10.1353/mdr.1993.0013

The Theatrical Instinct: Nikolai Evreinov and the Russian Theatre of the Early Twentieth Century by Sharon Marie Carnicke (review)

pp. 585-586 | DOI: 10.1353/mdr.1993.0028

Bertolt Brecht's Art of Dissemblance by Tony Calabro (review)

pp. 587-588 | DOI: 10.1353/mdr.1993.0022


pp. 589-590 | DOI: 10.1353/mdr.1993.0016

Contents of Volume XXXVI

pp. 591-596 | DOI: 10.1353/mdr.1993.0004

Research Areas


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