1. The Theatre of Thomas Murphy and Federico García Lorca
  2. José Lanters
  3. pp. 481-489
  4. restricted access View Summary | Download |
  1. Moscow Gold and Reassessing History
  2. Carl Caulfield
  3. pp. 490-498
  4. restricted access View Summary | Download |
  1. Caryl Churchill's Mad Forest: Polyphonic Representations of Southeastern Europe
  2. Tony Mitchell
  3. pp. 499-511
  4. restricted access View Summary | Download |
  1. The Devil and David Mamet: Sexual Perversity in Chicago as Homiletic Tragedy
  2. David Skeele
  3. pp. 512-518
  4. restricted access View Summary | Download |
  1. The Way of the World according to Mario Fratti
  2. Nina Da Vinci Nichols
  3. pp. 519-528
  4. restricted access View Summary | Download |
  1. "Through Soundproof Glass": The Prison of Self-Consciousness in The Glass Menagerie
  2. Eric P. Levy
  3. pp. 529-537
  4. restricted access View Summary | Download |
  1. Bernard Shaw's The Simpleton of the Unexpected Isles: A New Approach
  2. Fredric Berg
  3. pp. 538-546
  4. restricted access View Summary | Download |
  1. Lips Together, Teeth Apart: Another Version of Pastoral
  2. Benilde Montgomery
  3. pp. 547-555
  4. restricted access View Summary | Download |
  1. Morality in Pirandello's Come tu mi vuoi
  2. Jerome Mazzaro
  3. pp. 556-568
  4. restricted access View Summary | Download |
  1. Sweeney, Becket, and the "Marina Figure" in Eliot's Modern Plays
  2. Ernest G. Griffin
  3. pp. 569-577
  4. restricted access View Summary | Download |
  1. The Clever Dog and the Problematic Hare
  2. John H. Astington
  3. pp. 578-581
  4. restricted access View Summary | Download |
  1. Jean Giraudoux, The Legend and the Secret by Jacques Body (review)
  2. John K. Gilbert
  3. pp. 582-583
  4. restricted access View Summary | Download |
  1. Tom Stoppard and the Craft of Comedy: Medium and Genre at Play by Katherine E. Kelly (review)
  2. Anthony Jenkins
  3. pp. 583-585
  4. restricted access View Summary | Download |
  1. The Theatrical Instinct: Nikolai Evreinov and the Russian Theatre of the Early Twentieth Century by Sharon Marie Carnicke (review)
  2. Catherine Schüler
  3. pp. 585-586
  4. restricted access View Summary | Download |
  1. Bertolt Brecht's Art of Dissemblance by Tony Calabro (review)
  2. David Krasner
  3. pp. 587-588
  4. restricted access View Summary | Download |
  1. Contributors
  2. pp. 589-590
  3. restricted access View Summary | Download |
  1. Contents of Volume XXXVI
  2. pp. 591-596
  3. restricted access View Summary | Download |