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  Volume 36, Number 4, Winter 1993

Table of Contents

The Theatre of Thomas Murphy and Federico García Lorca

pp. 481-489

Moscow Gold and Reassessing History

pp. 490-498

Caryl Churchill's Mad Forest: Polyphonic Representations of Southeastern Europe

pp. 499-511

The Devil and David Mamet: Sexual Perversity in Chicago as Homiletic Tragedy

pp. 512-518

The Way of the World according to Mario Fratti

pp. 519-528

"Through Soundproof Glass": The Prison of Self-Consciousness in The Glass Menagerie

pp. 529-537

Bernard Shaw's The Simpleton of the Unexpected Isles: A New Approach

pp. 538-546

Lips Together, Teeth Apart: Another Version of Pastoral

pp. 547-555

Morality in Pirandello's Come tu mi vuoi

pp. 556-568

Sweeney, Becket, and the "Marina Figure" in Eliot's Modern Plays

pp. 569-577

The Clever Dog and the Problematic Hare

pp. 578-581

Book Reviews

Jean Giraudoux, The Legend and the Secret by Jacques Body (review)

pp. 582-583

Tom Stoppard and the Craft of Comedy: Medium and Genre at Play by Katherine E. Kelly (review)

pp. 583-585

The Theatrical Instinct: Nikolai Evreinov and the Russian Theatre of the Early Twentieth Century by Sharon Marie Carnicke (review)

pp. 585-586

Bertolt Brecht's Art of Dissemblance by Tony Calabro (review)

pp. 587-588


pp. 589-590

Contents of Volume XXXVI

pp. 591-596

Research Areas


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