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  Volume 36, Number 3, Fall 1993

Table of Contents

The Unspoken Text in Hedda Gabler

pp. 353-367

One Mirror Is "Not Enough" in Beckett's Footfalls and Ohio Impromptu

pp. 368-382

Silent Rage in Marie Laberge's L'Homme gris: The Mutism of Cri-Cri

pp. 383-395

Cutting Philomela's Tongue: The Cocktail Party's Cure for a Disorderly World

pp. 396-408

The Dialectics of Space in Synge's The Shadow of the Glen

pp. 409-419

Der Straf-block: Performance and Execution in Barnes, Griffiths, and Wertenbaker

pp. 420-430

Is There a Real Inspector Hound?: Mousetraps, Deathtraps, and the Disappearing Detective

pp. 431-442

Arthur Miller's Circles of Responsibility: A View from the Bridge and Beyond

pp. 443-453

Edmund Wilson: Playwrights, Farewell!

pp. 454-466

Book Reviews

Modern British Drama: 1890-1990 by Christopher Innes (review)

pp. 467-468

A Companion to Pirandello Studies ed. by John Louis Digaetani (review)

pp. 468-470

"They Watch Me as They Watch This": Gertrude Stein's Metadrama by Jane Palatini Bowers (review)

pp. 470-472

Understanding Arnold Wesker by Robert Wilcher (review)

pp. 472-473

Sociocritique de la traduction: Théâtre et altérité au Québec (1968-1988) by Annie Brisset (review)

pp. 473-476

Beyond Naturalism: A New Realism in American Theatre by William W. Demastes (review)

pp. 476-478


pp. 479-480

Research Areas


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