We cannot verify your location
Browse Book and Journal Content on Project MUSE
OR

  Volume 36, Number 3, Fall 1993

Table of Contents

The Unspoken Text in Hedda Gabler

pp. 353-367
|

One Mirror Is "Not Enough" in Beckett's Footfalls and Ohio Impromptu

pp. 368-382
|

Silent Rage in Marie Laberge's L'Homme gris: The Mutism of Cri-Cri

pp. 383-395
|

Cutting Philomela's Tongue: The Cocktail Party's Cure for a Disorderly World

pp. 396-408
|

The Dialectics of Space in Synge's The Shadow of the Glen

pp. 409-419
|

Der Straf-block: Performance and Execution in Barnes, Griffiths, and Wertenbaker

pp. 420-430
|

Is There a Real Inspector Hound?: Mousetraps, Deathtraps, and the Disappearing Detective

pp. 431-442
|

Arthur Miller's Circles of Responsibility: A View from the Bridge and Beyond

pp. 443-453
|

Edmund Wilson: Playwrights, Farewell!

pp. 454-466
|

Book Reviews

Modern British Drama: 1890-1990 by Christopher Innes (review)

pp. 467-468
|

A Companion to Pirandello Studies ed. by John Louis Digaetani (review)

pp. 468-470
|

"They Watch Me as They Watch This": Gertrude Stein's Metadrama by Jane Palatini Bowers (review)

pp. 470-472
|

Understanding Arnold Wesker by Robert Wilcher (review)

pp. 472-473
|

Sociocritique de la traduction: Théâtre et altérité au Québec (1968-1988) by Annie Brisset (review)

pp. 473-476
|

Beyond Naturalism: A New Realism in American Theatre by William W. Demastes (review)

pp. 476-478
|

Contributors

pp. 479-480
|

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access