1. From Nora Helmer to Wendy Darling: If You Believe in Heroines, Clap Your Hands
  2. John D. Shout
  3. pp. 353-364
  4. DOI: 10.1353/mdr.1992.0027
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  1. L'Homme Fatal in Hedda Gabler
  2. Mervyn Nicholson
  3. pp. 365-377
  4. DOI: 10.1353/mdr.1992.0001
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  1. "The Furtive Event": Theorizing Feminist Spectatorship
  2. Randi S. Koppen
  3. pp. 378-394
  4. DOI: 10.1353/mdr.1992.0051
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  1. Whom Else: Gendered Consciousness and Wholeness in Krapp's Last Tape and Rockaby
  2. Debra Malina
  3. pp. 395-408
  4. DOI: 10.1353/mdr.1992.0014
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  1. "How Sweet the Kill": Orgiastic Female Violence in Contemporary Re-visions of Euripides' The Bacchae
  2. Allison Hersh
  3. pp. 409-423
  4. DOI: 10.1353/mdr.1992.0017
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  1. Feminist Nationalism in Scotland: Mary Queen of Scots Got Her Head Chopped Off
  2. Ilona S. Koren-Deutsch
  3. pp. 424-432
  4. DOI: 10.1353/mdr.1992.0004
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  1. Howard Barker: Modern Allegorist
  2. Alan Thomas
  3. pp. 433-443
  4. DOI: 10.1353/mdr.1992.0035
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  1. Bus Stop: American Eye vs. Small-Town Ear
  2. William E. H. Meyer Jr.
  3. pp. 444-450
  4. DOI: 10.1353/mdr.1992.0039
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  1. Caged Birds: Bad Faith in Tennessee Williams's Drama
  2. Rita Colanzi
  3. pp. 451-465
  4. DOI: 10.1353/mdr.1992.0008
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  1. The Dramatist's Dilemma
  2. Christopher Innes
  3. pp. 466-477
  4. DOI: 10.1353/mdr.1992.0026
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  1. Shaw: Interviews and Recollections ed. by A.M. Gibbs (review)
  2. A. E. Wallace Maurer
  3. pp. 478-480
  4. DOI: 10.1353/mdr.1992.0023
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  1. Samuel Beckett, W. B. Yeats, and Jack Yeats: Images and Words by Gordon S. Armstrong (review)
  2. Breon Mitchell
  3. pp. 480-481
  4. DOI: 10.1353/mdr.1992.0048
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  1. Brian Friel by George O'Brien, and: Contemporary Irish Dramatists by Michael Etherton (review)
  2. Ninian Mellamphy
  3. pp. 481-483
  4. DOI: 10.1353/mdr.1992.0031
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  1. Kurt Weill: The Threepenny Opera by Stephen Hinton, and: Alban Berg: Lulu by Douglas Jarman (review)
  2. Michael H. Kater
  3. pp. 483-484
  4. DOI: 10.1353/mdr.1992.0042
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  1. Stanislavski: A Biography by Jean Benedetti (review)
  2. Catherine Schuler
  3. pp. 485-486
  4. DOI: 10.1353/mdr.1992.0019
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  1. The Theatre of Andrzej Wajda by Maciej Karpinski (review)
  2. David Bradby
  3. pp. 486-487
  4. DOI: 10.1353/mdr.1992.0055
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  1. A Sociosemiotic Theory of Theatre by Jean Alter (review)
  2. Michael Issacharoff
  3. pp. 489-491
  4. DOI: 10.1353/mdr.1992.0034
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  1. Contributors
  2. pp. 492-493
  3. DOI: 10.1353/mdr.1992.0046
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