Volume 35, Number 1, Spring 1992

Table of Contents

Special Issue Drama East and West

Articles

Performance as Paradigm: the Example of Bali

pp. 1-9
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Trading Art(s): Artaud, Spies, and Current Indonesian/American Artistic Exchange and Collaboration

pp. 10-19
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Reflections of Inner Life: Masks and Masked Acting in Ancient Greek Tragedy and Japanese Noh Drama

pp. 20-34
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Sada Yacco and Kawakami: Performers of Japonisme

pp. 35-53
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Modern Chinese Drama and Its Western Models: A Critical Reconstruction of Chinese Subjectivity

pp. 54-64
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Rewriting History on China's Stage in an Intercultural Context

pp. 65-71
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Chinese Drama after the 1989 Crisis

pp. 72-80
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The Anthropological Gaze and the Touristic Siting of Chinese America

pp. 81-89
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30 Rupees for Shakespeare: a Consideration of Imperial Theatre in India

pp. 90-100
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Contested Narratives on and off the KathakaŠł∑i Dance-Drama Stage

pp. 101-116
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Showdown at Culture Gap: Images of the West in the Plays of Shuji Terayama

pp. 117-126
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Japanese Theatre from the 1980s: The Ludic Conspiracy

pp. 127-136
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L'Oeil Ecoute: The Impact of Traditional Japanese Theatre on Postwar Western Performance

pp. 137-148
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Reading(,) Theatre(,) Techniques: Responding to the Influence of Asian Theatre in the Work of Ariane Mnouchkine

pp. 149-158
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Text Creation and Performance: A Kabuki Perspective

pp. 159-172
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Creating a Kabuki Western: Revenge at Spider Mountain

pp. 173-181
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Contributors

pp. 183-185
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