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  Volume 35, Number 1, Spring 1992

Table of Contents

Special Issue Drama East and West


Performance as Paradigm: the Example of Bali

pp. 1-9 | DOI: 10.1353/mdr.1992.0054

Trading Art(s): Artaud, Spies, and Current Indonesian/American Artistic Exchange and Collaboration

pp. 10-19 | DOI: 10.1353/mdr.1992.0037

Reflections of Inner Life: Masks and Masked Acting in Ancient Greek Tragedy and Japanese Noh Drama

pp. 20-34 | DOI: 10.1353/mdr.1992.0016

Sada Yacco and Kawakami: Performers of Japonisme

pp. 35-53 | DOI: 10.1353/mdr.1992.0029

Modern Chinese Drama and Its Western Models: A Critical Reconstruction of Chinese Subjectivity

pp. 54-64 | DOI: 10.1353/mdr.1992.0030

Rewriting History on China's Stage in an Intercultural Context

pp. 65-71 | DOI: 10.1353/mdr.1992.0022

Chinese Drama after the 1989 Crisis

pp. 72-80 | DOI: 10.1353/mdr.1992.0033

The Anthropological Gaze and the Touristic Siting of Chinese America

pp. 81-89 | DOI: 10.1353/mdr.1992.0041

30 Rupees for Shakespeare: a Consideration of Imperial Theatre in India

pp. 90-100 | DOI: 10.1353/mdr.1992.0045

Contested Narratives on and off the KathakaŠł∑i Dance-Drama Stage

pp. 101-116 | DOI: 10.1353/mdr.1992.0038

Showdown at Culture Gap: Images of the West in the Plays of Shuji Terayama

pp. 117-126 | DOI: 10.1353/mdr.1992.0013

Japanese Theatre from the 1980s: The Ludic Conspiracy

pp. 127-136 | DOI: 10.1353/mdr.1992.0003

L'Oeil Ecoute: The Impact of Traditional Japanese Theatre on Postwar Western Performance

pp. 137-148 | DOI: 10.1353/mdr.1992.0007

Reading(,) Theatre(,) Techniques: Responding to the Influence of Asian Theatre in the Work of Ariane Mnouchkine

pp. 149-158 | DOI: 10.1353/mdr.1992.0025

Text Creation and Performance: A Kabuki Perspective

pp. 159-172 | DOI: 10.1353/mdr.1992.0021

Creating a Kabuki Western: Revenge at Spider Mountain

pp. 173-181 | DOI: 10.1353/mdr.1992.0050


pp. 183-185 | DOI: 10.1353/mdr.1992.0012

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