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  Volume 34, Number 3, Fall 1991

Table of Contents

Articles

Bad Dressmakers and Well-Arranged Worlds: Fashion and Society Comedy

pp. 327-339
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The Music of The Cherry Orchard: Repetitions in the Russian Text

pp. 340-350
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Beyond Damascus: an Examination of Strindberg's The Great Highway as a Last Play

pp. 351-368
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Bakhtin's Chronotope: Time and Space in A Touch of the Poet and More Stately Mansions

pp. 369-382
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Order Within Fragmentation: Postmodernism and the Stroke Victim's World

pp. 383-391
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The Hermeneutic Motion in Brian Friel's Translations

pp. 392-409
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Two Opposite Animals: Structural Pairing in Sam Shepard's A Lie of the Mind

pp. 410-421
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One for the Road, Mountain Language and the Impasse of Politics

pp. 422-440
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Book Reviews

Vsevolod Myerhold by Robert Leach (review)

pp. 441-443
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The Vital Lie: Reality and Illusion in Modern Drama by Anthony S. Abbott (review)

pp. 443-444
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Discourse as Performance by Michael Issacharoff (review)

pp. 445-446
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Sam Shepard: A Casebook ed. by Kimball King (review)

pp. 447-448
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Why Beckett by Enoch Brater (review)

pp. 449-451
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Women in Beckett by Linda Ben-Zvi (review)

pp. 451-454
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Howard Barker: Politics and Desire, an expository study of his drama and poetry, 1969-87 by David Ian Rabey (review)

pp. 454-456
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The Plays of David Storey: A Thematic Study by William Hutchings (review)

pp. 456-457
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A History of Hispanic Theatre in the United States: Origins to 1940 by Nicolás Kanellos (review)

pp. 458-459
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Robert Wilson and His Collaborators by Laurence Shyer (review)

pp. 459-461
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Text and Supertext in Ibsen's Drama by Brian Johnston (review)

pp. 461-463
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Tom Stoppard: the Moral Vision of the Major Plays by Paul Delaney (review)

pp. 463-465
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Contributors

p. 1
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Research Areas

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