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  Volume 34, Number 3, Fall 1991

Table of Contents


Bad Dressmakers and Well-Arranged Worlds: Fashion and Society Comedy

pp. 327-339

The Music of The Cherry Orchard: Repetitions in the Russian Text

pp. 340-350

Beyond Damascus: an Examination of Strindberg's The Great Highway as a Last Play

pp. 351-368

Bakhtin's Chronotope: Time and Space in A Touch of the Poet and More Stately Mansions

pp. 369-382

Order Within Fragmentation: Postmodernism and the Stroke Victim's World

pp. 383-391

The Hermeneutic Motion in Brian Friel's Translations

pp. 392-409

Two Opposite Animals: Structural Pairing in Sam Shepard's A Lie of the Mind

pp. 410-421

One for the Road, Mountain Language and the Impasse of Politics

pp. 422-440

Book Reviews

Vsevolod Myerhold by Robert Leach (review)

pp. 441-443

The Vital Lie: Reality and Illusion in Modern Drama by Anthony S. Abbott (review)

pp. 443-444

Discourse as Performance by Michael Issacharoff (review)

pp. 445-446

Sam Shepard: A Casebook ed. by Kimball King (review)

pp. 447-448

Why Beckett by Enoch Brater (review)

pp. 449-451

Women in Beckett by Linda Ben-Zvi (review)

pp. 451-454

Howard Barker: Politics and Desire, an expository study of his drama and poetry, 1969-87 by David Ian Rabey (review)

pp. 454-456

The Plays of David Storey: A Thematic Study by William Hutchings (review)

pp. 456-457

A History of Hispanic Theatre in the United States: Origins to 1940 by Nicolás Kanellos (review)

pp. 458-459

Robert Wilson and His Collaborators by Laurence Shyer (review)

pp. 459-461

Text and Supertext in Ibsen's Drama by Brian Johnston (review)

pp. 461-463

Tom Stoppard: the Moral Vision of the Major Plays by Paul Delaney (review)

pp. 463-465


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