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Table of Contents

  1. A Novelist Finds the Bare Bones of a Play
  2. Joyce Carol Oates
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/mdr.1991.0065
  5. restricted access
  1. Reading as Theatre: Understanding Defamiliarization in Beckett's Art
  2. H. Porter Abbott
  3. pp. 5-22
  4. DOI: https://doi.org/10.1353/mdr.1991.0053
  5. restricted access
  1. Our Country's Good: Theatre, Colony and Nation in Wertenbaker's Adaptation of The Playmaker
  2. Ann Wilson
  3. pp. 23-34
  4. DOI: https://doi.org/10.1353/mdr.1991.0061
  5. restricted access
  1. "What's It Going To Be Then, Eh?": The Stage Odyssey of Anthony Burgess's A Clockwork Orange
  2. William Hutchings
  3. pp. 35-48
  4. DOI: https://doi.org/10.1353/mdr.1991.0001
  5. restricted access
  1. O'Neill the "Novelist"
  2. Normand Berlin
  3. pp. 49-58
  4. DOI: https://doi.org/10.1353/mdr.1991.0064
  5. restricted access
  1. "The Writing on the Wall": Novelization and the Critique of History in The Iceman Cometh
  2. Kurt Eisen
  3. pp. 59-73
  4. DOI: https://doi.org/10.1353/mdr.1991.0039
  5. restricted access
  1. Gone Fission: The Holocaustic Wit of Don DeLillo
  2. Toby Silverman Zinman
  3. pp. 74-87
  4. DOI: https://doi.org/10.1353/mdr.1991.0003
  5. restricted access
  1. Drama and the Dialogic Imagination: The Heidi Chronicles and Fefu and Her Friends
  2. Helene Keyssar
  3. pp. 88-106
  4. DOI: https://doi.org/10.1353/mdr.1991.0011
  5. restricted access
  1. Modern Theatre and Melville's Moby-Dick: Writing and Sounding the Whale
  2. Anthony Kubiak
  3. pp. 107-117
  4. DOI: https://doi.org/10.1353/mdr.1991.0022
  5. restricted access
  1. Nathalie Sarraute: How To Do Mean Things With Words
  2. Judith G. Miller
  3. pp. 118-127
  4. DOI: https://doi.org/10.1353/mdr.1991.0054
  5. restricted access
  1. Staging Writing or the Ceremony of Text in Marguerite Duras
  2. Liliane Papin
  3. pp. 128-137
  4. DOI: https://doi.org/10.1353/mdr.1991.0018
  5. restricted access
  1. Sicilian Themes and the Restructured Stage: The Dialectic of Fiction and Drama in the Work of Luigi Pirandello
  2. Anne Paolucci
  3. pp. 138-147
  4. DOI: https://doi.org/10.1353/mdr.1991.0007
  5. restricted access
  1. Ibsen's Forsaken Merman: Folklore in the Late Plays by Per Schelde Jacobsen and Barbara Fass Leavy (review)
  2. Charles Leland
  3. pp. 148-151
  4. DOI: https://doi.org/10.1353/mdr.1991.0033
  5. restricted access
  1. Radical People's Theatre by Eugène van Erven (review)
  2. James Fisher
  3. pp. 151-153
  4. DOI: https://doi.org/10.1353/mdr.1991.0049
  5. restricted access
  1. American Playwrights Since 1945: A Guide to Scholarship, Criticism, and Performance ed. by Philip C. Kolin (review)
  2. Brian Parker
  3. pp. 153-154
  4. DOI: https://doi.org/10.1353/mdr.1991.0029
  5. restricted access
  1. Samuel Beckett by Andrew K. Kennedy (review)
  2. Ken Tallman
  3. pp. 154-156
  4. DOI: https://doi.org/10.1353/mdr.1991.0050
  5. restricted access
  1. Bulgakov's Last Decade: The Writer as Hero by J.A.E. Curtis (review)
  2. Daniel Gerould
  3. pp. 156-158
  4. DOI: https://doi.org/10.1353/mdr.1991.0059
  5. restricted access
  1. Contemporary Polish Theater and Drama (1956-1984) by E.J. Czerwinski (review)
  2. Maria Bucholc
  3. pp. 158-159
  4. DOI: https://doi.org/10.1353/mdr.1991.0006
  5. restricted access
  1. Theatre as Weapon: Worker's Theatre in the Soviet Union, Germany and Britain, 1917-1934 by Richard Stourac and Kathleen McCreery (review)
  2. Catherine Schuler
  3. pp. 160-162
  4. DOI: https://doi.org/10.1353/mdr.1991.0040
  5. restricted access
  1. Louis Nowra ed. by Veronica Kelly, and: Patrick White by May-Brit Akerholt, and: Jack Hibberd by Paul McGillick, and: David Williamson ed. by Otrun Zuber-Skerritt (review)
  2. Richard Corballis
  3. pp. 163-167
  4. DOI: https://doi.org/10.1353/mdr.1991.0028
  5. restricted access
  1. Contributors
  3. pp. 168-169
  4. DOI: https://doi.org/10.1353/mdr.1991.0017
  5. restricted access