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  Volume 34, Number 1, Spring 1991

Table of Contents

Special Issue Drama and the Novel

Articles

A Novelist Finds the Bare Bones of a Play

pp. 1-4
|

Reading as Theatre: Understanding Defamiliarization in Beckett's Art

pp. 5-22
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Our Country's Good: Theatre, Colony and Nation in Wertenbaker's Adaptation of The Playmaker

pp. 23-34
|

"What's It Going To Be Then, Eh?": The Stage Odyssey of Anthony Burgess's A Clockwork Orange

pp. 35-48
|

O'Neill the "Novelist"

pp. 49-58
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"The Writing on the Wall": Novelization and the Critique of History in The Iceman Cometh

pp. 59-73
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Gone Fission: The Holocaustic Wit of Don DeLillo

pp. 74-87
|

Drama and the Dialogic Imagination: The Heidi Chronicles and Fefu and Her Friends

pp. 88-106
|

Modern Theatre and Melville's Moby-Dick: Writing and Sounding the Whale

pp. 107-117
|

Nathalie Sarraute: How To Do Mean Things With Words

pp. 118-127
|

Staging Writing or the Ceremony of Text in Marguerite Duras

pp. 128-137
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Sicilian Themes and the Restructured Stage: The Dialectic of Fiction and Drama in the Work of Luigi Pirandello

pp. 138-147
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Book Reviews

Ibsen's Forsaken Merman: Folklore in the Late Plays by Per Schelde Jacobsen and Barbara Fass Leavy (review)

pp. 148-151
|

Radical People's Theatre by Eugène van Erven (review)

pp. 151-153
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American Playwrights Since 1945: A Guide to Scholarship, Criticism, and Performance ed. by Philip C. Kolin (review)

pp. 153-154
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Samuel Beckett by Andrew K. Kennedy (review)

pp. 154-156
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Bulgakov's Last Decade: The Writer as Hero by J.A.E. Curtis (review)

pp. 156-158
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Contemporary Polish Theater and Drama (1956-1984) by E.J. Czerwinski (review)

pp. 158-159
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Theatre as Weapon: Worker's Theatre in the Soviet Union, Germany and Britain, 1917-1934 by Richard Stourac and Kathleen McCreery (review)

pp. 160-162
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Louis Nowra ed. by Veronica Kelly, and: Patrick White by May-Brit Akerholt, and: Jack Hibberd by Paul McGillick, and: David Williamson ed. by Otrun Zuber-Skerritt (review)

pp. 163-167
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Contributors

pp. 168-169
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Research Areas

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