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  Volume 32, Number 4, Winter 1989

Table of Contents


Strindberg's Miss Julie and the Legend of Salome

pp. 469-484 | DOI: 10.1353/mdr.1989.0003

Prisoners of Their Plots: Literary Allusion and the Satiric Drama of Self-Consciousness in Chekhov's Three Sisters

pp. 485-501 | DOI: 10.1353/mdr.1989.0038

Brecht's Teacher

pp. 502-511 | DOI: 10.1353/mdr.1989.0031

López Rubio and the Well-Made Metaplay

pp. 512-520 | DOI: 10.1353/mdr.1989.0024

The Play of Language in Ionesco's Play of Chairs

pp. 521-531 | DOI: 10.1353/mdr.1989.0018

From Italian Roots to American Relevance: The Remarkable Theatre of Dario Fo

pp. 532-544 | DOI: 10.1353/mdr.1989.0012

Alternative Visions of Blanche DuBois: Uta Hagen and Jessica Tandy in A Streetcar Named Desire

pp. 545-560 | DOI: 10.1353/mdr.1989.0006

Tom Stoppard: The Monological Imagination

pp. 574-586 | DOI: 10.1353/mdr.1989.0041

Book Reviews

Modern Drama Scholarship and Criticism 1966-1980: An International Bibliography by Charles A. Carpenter (review)

pp. 587-588 | DOI: 10.1353/mdr.1989.0034

Beckett Translating/Translating Beckett ed. by Alan Warren Friedman, Charles Rossman and Dina Sherzer, and: Beckett: Waiting for Godot ed. by Ruby Cohn (review)

pp. 588-592 | DOI: 10.1353/mdr.1989.0027

New British Drama in Performance on the London Stage, 1970-1985 by Richard Allen Cave (review)

pp. 592-593 | DOI: 10.1353/mdr.1989.0021

Roger Blin and Twentieth Century Playwrights by Odette Aslan (review)

pp. 593-596 | DOI: 10.1353/mdr.1989.0015


pp. 597-598 | DOI: 10.1353/mdr.1989.0009

Contents of Volume XXXII

pp. 599-604 | DOI: 10.1353/mdr.1989.0002

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