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  Volume 32, Number 3, Fall 1989

Table of Contents


Granville Barker and Galsworthy: Questions of Censorship

pp. 331-344

Eluding the Censor: From Script to Improvisation in Patética

pp. 345-355

Ireneusz Iredyński's Drama of Exposure

pp. 356-373

The Dramaturgy of the Other: Diegetic Patterns in Synge's The Playboy of the Western World

pp. 374-386

Women Dancing: The Structure of Gender in Yeats's Early Plays for Dancers

pp. 387-400

The Voice of Absent Love in Krapp's Last Tape and Company

pp. 401-412

Anger and the Actor: Another Look Back

pp. 413-424

Alan Ayckbourn's Liza Doolittle

pp. 425-439

Tom Stoppard Radioactive: A Sounding of the Radio Plays

pp. 440-452

Book Reviews

American Realism and American Drama, 1880-1940 by Brenda Murphy (review)

pp. 453-454

Lillian Hellman: Her Legend and her Legacy by Carl Rollyson (review)

pp. 454-456

David Rabe: A Stage History and A Primary and Secondary Bibliography by Philip C. Kolin (review)

pp. 456-458

The Development of Black Theater in America: From Shadows to Selves by Leslie Catherine Sanders (review)

pp. 458-459

Harold Pinter: Critical Approaches ed. by Steven H. Gale, and: Harold Pinter: The Birthday Party, The Caretaker, The Homecoming. A Casebook ed. by Michael Scott (review)

pp. 459-462

The Beckett Actor by Jordan R. Young (review)

pp. 462-464

Performance by Julian Hilton (review)

pp. 464-466


pp. 467-468

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