+ MUSE Alert

In this Issue

Table of Contents

  1. Bertolt Brecht's The Exception and the Rule. It Doesn't Say What It Says It Says
  2. Russell E. Brown
  3. pp. 317-329
  4. DOI: https://doi.org/10.1353/mdr.1988.0018
  5. restricted access
  1. Švejk's Stage Figure: Illustration, Design, and the Representation of Character
  2. Michael Quinn
  3. pp. 330-339
  4. DOI: https://doi.org/10.1353/mdr.1988.0001
  5. restricted access
  1. Beyond 1984: Provocation and Prognosis in Marieluise Fleisser's Play Purgatory in Ingolstadt
  2. Ralph Ley
  3. pp. 340-351
  4. DOI: https://doi.org/10.1353/mdr.1988.0054
  5. restricted access
  1. Two Concepts of Society in Drama: Bertolt Brecht's The Good Woman of Setzuan and Edward Bond's Lear
  2. Hubert Zapf
  3. pp. 352-364
  4. DOI: https://doi.org/10.1353/mdr.1988.0020
  5. restricted access
  1. Brecht and Friel: Some Irish Parallels
  2. Eric Binnie
  3. pp. 365-370
  4. DOI: https://doi.org/10.1353/mdr.1988.0061
  5. restricted access
  1. The Lehrstück Experience on a Contemporary Stage: On Brecht and the GRIPS-Theater's Voll auf der Rolle
  2. Gerhard Fischer
  3. pp. 371-379
  4. DOI: https://doi.org/10.1353/mdr.1988.0048
  5. restricted access
  1. "Des Petits Ebranlements Capillaires ...": The Art of Michel Vinaver
  2. Rosette C. Lamont
  3. pp. 380-394
  4. DOI: https://doi.org/10.1353/mdr.1988.0034
  5. restricted access
  1. Weiss's Marat/Sade and its Three Main Performance Versions
  2. Darko Suvin
  3. pp. 395-419
  4. DOI: https://doi.org/10.1353/mdr.1988.0011
  5. restricted access
  1. Politicised Theatre: The Case of Rainer Werner Fassbinder's Garbage, The City and Death
  2. Denis Calandra
  3. pp. 420-428
  4. DOI: https://doi.org/10.1353/mdr.1988.0028
  5. restricted access
  1. Müller's Cement: Fragments of Heroic Myth
  2. Max Harris
  3. pp. 429-438
  4. DOI: https://doi.org/10.1353/mdr.1988.0015
  5. restricted access
  1. Post-Modernism and the Multi-Media Sensibility: Heiner Müller's Hamletmachine and the Art of Robert Wilson
  2. Nicholas Zurbrugg
  3. pp. 439-453
  4. DOI: https://doi.org/10.1353/mdr.1988.0030
  5. restricted access
  1. A Conversation with Robert Wilson and Heiner Müller
  2. Arthur Holmberg, Paul Schmidt
  3. pp. 454-458
  4. DOI: https://doi.org/10.1353/mdr.1988.0024
  5. restricted access
  1. Bertolt Brecht: Chaos According to Plan by John Fuegi, and: Exceptions and Rules: Brecht, Planchon and "The Good Person of Szechwan." by Pia Kleber (review)
  2. Rosette C. Lamont
  3. pp. 459-462
  4. DOI: https://doi.org/10.1353/mdr.1988.0044
  5. restricted access
  1. The Tragic Plane by H.A. Mason (review)
  2. Stephen A. Black
  3. pp. 462-465
  4. DOI: https://doi.org/10.1353/mdr.1988.0008
  5. restricted access
  1. The Royal Court Theatre, 1965-1972 by Philip Roberts (review)
  2. James Fisher
  3. pp. 468-470
  4. DOI: https://doi.org/10.1353/mdr.1988.0005
  5. restricted access
  1. Harley Granville Barker: A Preface to Modern Shakespeare by Christine Dymkowski, and: Granville Barker and the Dream of Theatre by Dennis Kennedy, and: Plays by Harley Granville Barker ed. by Dennis Kennedy, and: Granville Barker and His Correspondents ed. by Eric Salmon (review)
  2. James Fisher
  3. pp. 465-468
  4. DOI: https://doi.org/10.1353/mdr.1988.0058
  5. restricted access
  1. Contributors
  3. pp. 471-472
  4. DOI: https://doi.org/10.1353/mdr.1988.0038
  5. restricted access