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Table of Contents

  1. O'Neill and the Tragedy of Culture
  2. Ernest G. Griffin
  3. pp. 1-15
  4. DOI: https://doi.org/10.1353/mdr.1988.0035
  5. restricted access
  1. Freedom and Fixity in the Plays of Eugene O'Neill
  2. Linda Ben-Zvi
  3. pp. 16-27
  4. DOI: https://doi.org/10.1353/mdr.1988.0025
  5. restricted access
  1. The Beckettian O'Neill
  2. Normand Berlin
  3. pp. 28-34
  4. DOI: https://doi.org/10.1353/mdr.1988.0016
  5. restricted access
  1. O'Neill's Hairy Ape and the Reversal of Hegelian Dialectics
  2. Hubert Zapf
  3. pp. 35-40
  4. DOI: https://doi.org/10.1353/mdr.1988.0006
  5. restricted access
  1. Intention and Effect in The Hairy Ape
  2. Ann Massa
  3. pp. 41-51
  4. DOI: https://doi.org/10.1353/mdr.1988.0059
  5. restricted access
  1. The Iceman Cometh as Crossroad in O'Neill's Long Journey
  2. Laurin R. Porter
  3. pp. 52-62
  4. DOI: https://doi.org/10.1353/mdr.1988.0049
  5. restricted access
  1. Communal, Familial, and Personal Memories in O'Neill's Long Day's Journey Into Night
  2. John Henry Raleigh
  3. pp. 63-72
  4. DOI: https://doi.org/10.1353/mdr.1988.0039
  5. restricted access
  1. Shakespeherian Rags
  2. John H. Astington
  3. pp. 73-80
  4. DOI: https://doi.org/10.1353/mdr.1988.0029
  5. restricted access
  1. The Play of the Misbegotten
  2. Robert Ready
  3. pp. 81-90
  4. DOI: https://doi.org/10.1353/mdr.1988.0019
  5. restricted access
  1. On the Edge: The Plays of Susan Glaspell
  2. Christine Dymkowski
  3. pp. 91-105
  4. DOI: https://doi.org/10.1353/mdr.1988.0010
  5. restricted access
  1. Maurice Browne and the Chicago Little Theatre
  2. Charles Lock
  3. pp. 106-116
  4. DOI: https://doi.org/10.1353/mdr.1988.0000
  5. restricted access
  1. "Love and Admiration and Respect" : The O'Neill - Commins Correspondence ed. by Dorothy Commins (review)
  2. Stephen A. Black
  3. pp. 117-119
  4. DOI: https://doi.org/10.1353/mdr.1988.0053
  5. restricted access
  1. Tennessee Williams by Roger Boxill (review)
  2. R.B. Parker
  3. pp. 119-121
  4. DOI: https://doi.org/10.1353/mdr.1988.0043
  5. restricted access
  1. Edward Albee by Gerry McCarthy (review)
  2. Philip C. Kolin
  3. pp. 121-124
  4. DOI: https://doi.org/10.1353/mdr.1988.0033
  5. restricted access
  1. Critical Essays on Edward Albee ed. by Philip C. Kolin and J. Madison Davis (review)
  2. Laura H. Weaver
  3. pp. 124-125
  4. DOI: https://doi.org/10.1353/mdr.1988.0023
  5. restricted access
  1. Sam Shepard's Metaphorical Stages by Lynda Hart (review)
  2. Matthew C. Roudané
  3. pp. 125-127
  4. DOI: https://doi.org/10.1353/mdr.1988.0014
  5. restricted access
  1. Essays on Modern American Drama: Williams, Miller, Albee, and Shepard ed. by Dorothy Parker (review)
  2. Barry N. Olshen
  3. pp. 127-130
  4. DOI: https://doi.org/10.1353/mdr.1988.0004
  5. restricted access
  1. Understanding Beckett: A Study of Monologue and Gesture in the Works of Samuel Beckett by Peter Gidal (review)
  2. N. Kim Langford
  3. pp. 132-135
  4. DOI: https://doi.org/10.1353/mdr.1988.0057
  5. restricted access
  1. Carry On, Understudies: Theatre and Sexual Politics by Michelene Wandor (review)
  2. Rosette C. Lamont
  3. pp. 135-137
  4. DOI: https://doi.org/10.1353/mdr.1988.0047
  5. restricted access
  1. Australian Contemporary Drama 1909-1982: A Critical Introduction by Dennis Carroll (review)
  2. Richard Corballis
  3. pp. 137-138
  4. DOI: https://doi.org/10.1353/mdr.1988.0037
  5. restricted access
  1. Contributors
  3. pp. 139-140
  4. DOI: https://doi.org/10.1353/mdr.1988.0027
  5. restricted access