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  Volume 31, Number 1, Spring 1988

Table of Contents

Special Issue
O'Neill and the American Theatre

Articles

O'Neill and the Tragedy of Culture

pp. 1-15
|

Freedom and Fixity in the Plays of Eugene O'Neill

pp. 16-27
|

The Beckettian O'Neill

pp. 28-34
|

O'Neill's Hairy Ape and the Reversal of Hegelian Dialectics

pp. 35-40
|

Intention and Effect in The Hairy Ape

pp. 41-51
|

The Iceman Cometh as Crossroad in O'Neill's Long Journey

pp. 52-62
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Communal, Familial, and Personal Memories in O'Neill's Long Day's Journey Into Night

pp. 63-72
|

Shakespeherian Rags

pp. 73-80
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The Play of the Misbegotten

pp. 81-90
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On the Edge: The Plays of Susan Glaspell

pp. 91-105
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Maurice Browne and the Chicago Little Theatre

pp. 106-116
|

Book Reviews

"Love and Admiration and Respect" : The O'Neill - Commins Correspondence ed. by Dorothy Commins (review)

pp. 117-119
|

Tennessee Williams by Roger Boxill (review)

pp. 119-121
|

Edward Albee by Gerry McCarthy (review)

pp. 121-124
|

Critical Essays on Edward Albee ed. by Philip C. Kolin and J. Madison Davis (review)

pp. 124-125
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Sam Shepard's Metaphorical Stages by Lynda Hart (review)

pp. 125-127
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Essays on Modern American Drama: Williams, Miller, Albee, and Shepard ed. by Dorothy Parker (review)

pp. 127-130
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Understanding Beckett: A Study of Monologue and Gesture in the Works of Samuel Beckett by Peter Gidal (review)

pp. 132-135
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Carry On, Understudies: Theatre and Sexual Politics by Michelene Wandor (review)

pp. 135-137
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Australian Contemporary Drama 1909-1982: A Critical Introduction by Dennis Carroll (review)

pp. 137-138
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Contributors

pp. 139-140
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Research Areas

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