1. Beckett as Director: The Manuscript Production Notebooks and Critical Interpretation
  2. James Knowlson
  3. pp. 451-465
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  1. Rockaby and the Art of Inadvertent Interpretation
  2. Jonathan Kalb
  3. pp. 466-479
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  1. The Sea: Anarchy as Order
  2. Kay Unruh Des Roches
  3. pp. 480-495
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  1. The Blood Knot Reborn in the Eighties: A Reflection of the Artist and his Times
  2. Kim McKay
  3. pp. 496-504
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  1. "Master Harold" ... and the boys: Athol Fugard and the Psychopathology of Apartheid
  2. Errol Durbach
  3. pp. 505-513
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  1. The Domestic Tragedies of Roger Vitrac
  2. Annette Shandler Levitt
  3. pp. 514-527
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  1. Jean Jullien's La Sérénade: A Comédie Rosse Study
  2. Jeanne Klein
  3. pp. 528-534
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  1. The Subtext of The Real Thing: It's "all right"
  2. Leslie Thomson
  3. pp. 535-548
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  1. Somerset Maugham: A Test Case for Popular Comedy
  2. Christopher Innes
  3. pp. 549-559
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  1. Modernism vs. Postmodernism: Shepard's The Tooth of Crime and the Discourses of Popular Culture
  2. Leonard Wilcox
  3. pp. 560-573
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  1. French Theatre 1918-1939 by Bettina L. Knapp, and: Modern French Drama, 1940-1980 by David Bradby (review)
  2. Jane Couchman
  3. pp. 574-576
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  1. Edward Bond by David L. Hirst (review)
  2. Gabrielle Robinson
  3. pp. 576-579
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  1. Jacques Copeau by John Rudlin (review)
  2. Norman H. Paul
  3. pp. 582-583
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  1. Contributors
  2. pp. 584-585
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  1. Contents of Volume XXX
  2. pp. 587-591
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