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  Volume 30, Number 3, Fall 1987

Table of Contents

A Problem of Translation: Structural Patterns in the Language of Ibsen's The Lady from the Sea

pp. 311-326
|

Magical Subversions: The Master and Margarita in Performance

pp. 327-339
|

Red Noses and Saint Joan

pp. 340-351
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At the Deathbed: Edward Albee's All Over

pp. 352-363
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Norman's 'night, Mother: Psycho-drama of Female Identity

pp. 364-375
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De-realised Women: Performance and Identity in Top Girls

pp. 376-388
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Dramatic Strategy in Christina Reid's Tea in a China Cup

pp. 389-395
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Six Characters in Search of an Author and the Battle of the Lexis

pp. 396-404
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Machine and Magus in Pirandello's Tonight We Improvise

pp. 405-413
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The Carnival Motif in Pirandello's Drama

pp. 414-425
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Book Reviews

Dramatic Dialogue: The Duologue of Personal Encounter by Andrew K. Kennedy (review)

pp. 426-428
|

English Theatre in Transition: 1889-1914 by James Woodfield (review)

pp. 428-430
|

Alfred Jarry and Guillaume Apollinaire by Claude Schumacher (review)

pp. 430-432
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Folklore and W.B. Yeats: The Function of Folklore Elements in Three Early Plays by Birgit Bramsbäck, and: A Reader's Guide to the Plays of W.B. Yeats by Richard Taylor, and: Players and Painted Stage: The Theatre of W.B. Yeats by Karen Dorn (review)

pp. 432-434
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Brian Friel: The Growth of an Irish Dramatist by Ulf Dantanus (review)

pp. 434-435
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Divided Ireland: Bifocal Vision in Modern Irish Drama by Ronald Gene Rollins (review)

pp. 435-437
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Pinter's Comic Play by Elin Diamond (review)

pp. 437-439
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Switzerland's Dramatists in the Shadow of Frisch and Dürrenmatt: The Quest for a Theatrical Tradition by Paul F. Buschenhofen (review)

pp. 439-441
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Conversations with Lillian Hellman ed. by Jackson R. Bryer (review)

pp. 441-442
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The Orton Diaries ed. by John Lahr (review)

pp. 442-444
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Le feu sacré: Souvenirs d'une vie de théâtre by Youri Lioubimov (review)

pp. 444-446
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David Mamet by C.W.E. Bigsby (review)

pp. 446-447
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Contributors

pp. 448-449
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Research Areas

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