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  Volume 30, Number 1, Spring 1987

Table of Contents

Theater in Recent English Theater

pp. 1-13
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Catastrophe: Beckett's Laboratory / Theatre

pp. 14-22
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The Space of Play in L'Impromptu d' Ohio

pp. 23-34
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The Consumption of Empty Signs: Jean Genet's The Balcony

pp. 35-45
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Fool of Desire: The Spectator to the Plays of Sam Shepard

pp. 46-57
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Sam Shepard: Theatrical Power and American Dreams

pp. 58-71
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Actors Acting Actors

pp. 72-79
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Strindberg's Gustav III: The Player King on the Stage of History

pp. 80-89
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The Discipline of the Theatrical Sense: At the Hawk's Well and the Rhetoric of the Stage

pp. 90-103
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Theatertheater/Theaterspiele: The Plays of Thomas Bernhard

pp. 104-114
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Book Reviews

Sean O'Casey by James Simmons, and: My Very Dear Sean: George Jean Nathan to Sean O'Casey, Letters and Articles ed. by Robert G. Lowery and Patricia Angelin (review)

pp. 115-117
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William Archer on Ibsen: The Major Essays, 1889-1919 ed. by Thomas Postlewait (review)

pp. 117-119
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Feminist Theatre: An Introduction to Plays of Contemporary British and American Women by Helene Keyssar, and: Feminist Theatre: A Study in Persuasion by Elizabeth J. Natalle (review)

pp. 119-122
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Ingmar Bergman: Four Decades in the Theater by Lise-Lone Marker and Frederick J. Marker (review)

pp. 122-125
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A Critical Introduction to Twentieth-Century American Drama, Volume Two: Williams/Miller/Albee by C.W.E. Bigsby (review)

pp. 125-127
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The Language of Silence: On the Unspoken and Unspeakable in Modern Drama by Leslie Kane (review)

pp. 127-128
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Final Acts: The Creation of Three Late O'Neill Plays by Judith E. Barlow (review)

pp. 129-131
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The Repertory Movement: A History of Regional Theatre in Britain by George Rowell and Anthony Jackson (review)

pp. 131-133
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Contributors

pp. 134-135
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Research Areas

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