1. Ways of Waiting in Waiting for Godot
  2. James L. Calderwood
  3. pp. 365-375
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  1. Earning Liberties: Travesties And The Importance of Being Earnest
  2. Neil Sammells
  3. pp. 376-387
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  1. The Incoherent Self in Contemporary Comedy
  2. Mathew Winston
  3. pp. 388-402
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  1. Memories of The Sea in Shepard's Illinois
  2. Johan Callens
  3. pp. 403-415
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  1. Sam Shepard and Super-Realism
  2. Toby Silverman Zinman
  3. pp. 423-430
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  1. Deconstruction As Devil's Advocacy: A Shavian Alternative
  2. Richard F. Dietrich
  3. pp. 431-451
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  1. Conflicting Signs of Violence In Augusto Boal's Torquemada
  2. Severino Joäo Albuquerque
  3. pp. 452-459
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  1. Valle-Inclán's The Dragon's Head: Symbolist Fairy Tale and Satyr Play
  2. David Nicholson
  3. pp. 460-471
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  1. Salvador Espriu's Idea of a Theater: The Sotjador Versus the Demiurge
  2. Peter Cocozzella
  3. pp. 472-489
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  1. Critical Essays on Eugene O'Neill ed. by James J. Martine (review)
  2. Michael Hinden
  3. pp. 490-492
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  1. Tom Stoppard: An Assessment by Tim Brassell (review)
  2. John Morris
  3. pp. 492-494
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  1. Postmodern Drama: Contemporary Playwrights in America and Britain by Rodney Simard (review)
  2. Hubert Zapf
  3. pp. 495-496
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  1. Perspectives on Max Frisch ed. by Gerhard F. Probst and Jay F. Bodine (review)
  2. Gertrud B. Pickar
  3. pp. 497-498
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  1. Makten och ensamheten: Studier i Lars Forsseils historiedramatik by Gunnar Syréhn (review)
  2. Frederick J. Marker
  3. pp. 499-500
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  1. Corrigendum
  2. Brian Parker
  3. p. 501
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  1. Inverted Chronology in Sam Shepard's La Turista
  2. Charles G. Whiting
  3. pp. 416-422
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  1. Contributors
  2. pp. 502-503
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