+ MUSE Alert

In this Issue

Table of Contents

  1. The Classical Heritage of Modern Drama: The Case of Postmodern Theatre
  2. Patrice Pavis, Loren Kruger
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/mdr.1986.0022
  5. restricted access
  1. Laocoön at the Frontier, or The Limit of Limits
  2. Daniel Gerould
  3. pp. 23-40
  4. DOI: https://doi.org/10.1353/mdr.1986.0033
  5. restricted access
  1. The Reverse View: Greece and Greek Myths in Modern French Theater
  2. Marc Eli Blanchard
  3. pp. 41-48
  4. DOI: https://doi.org/10.1353/mdr.1986.0044
  5. restricted access
  1. On Maeterlinck Reading Shakespeare
  2. Michael Hays
  3. pp. 49-59
  4. DOI: https://doi.org/10.1353/mdr.1986.0054
  5. restricted access
  1. Bond, Shakespeare, and the Absurd
  2. James C. Bulman
  3. pp. 60-70
  4. DOI: https://doi.org/10.1353/mdr.1986.0064
  5. restricted access
  1. Hofmannsthal's Electra and Its Dramatic Models
  2. Martin Mueller
  3. pp. 71-91
  4. DOI: https://doi.org/10.1353/mdr.1986.0008
  5. restricted access
  1. Stoick Seneca
  2. Thomas G. Rosenmeyer
  3. pp. 92-109
  4. DOI: https://doi.org/10.1353/mdr.1986.0018
  5. restricted access
  1. Twentieth-Century Plays Using Classical Mythic Themes: A Checklist
  2. Susan Harris Smith
  3. pp. 110-134
  4. DOI: https://doi.org/10.1353/mdr.1986.0029
  5. restricted access
  1. French Theatre Experiment since 1968 by Lenora Champagne (review)
  2. Robert E. Hiedemann
  3. pp. 135-137
  4. DOI: https://doi.org/10.1353/mdr.1986.0040
  5. restricted access
  1. Samuel Beckett: Humanistic Perspectives by Morris Beja, S.E. Gontarski and Pierre Astier (review)
  2. Clas Zilliacus
  3. pp. 137-138
  4. DOI: https://doi.org/10.1353/mdr.1986.0050
  5. restricted access
  1. Eduardo De Filippo by Mario B. Mignone (review)
  2. Franco Zangrilli
  3. pp. 139-141
  4. DOI: https://doi.org/10.1353/mdr.1986.0060
  5. restricted access
  1. Franz Xaver Kroetz: The Emergence of a Political Playwright by Richard W. Blevins (review)
  2. Ingeborg Walther
  3. pp. 141-142
  4. DOI: https://doi.org/10.1353/mdr.1986.0003
  5. restricted access
  1. Harold Pinter by Guido Almansi and Simon Henderson (review)
  2. Steven H. Gale
  3. pp. 143-144
  4. DOI: https://doi.org/10.1353/mdr.1986.0013
  5. restricted access
  1. Stoppard: The Mystery and the Clockwork by Richard Corballis (review)
  2. John Harty
  3. pp. 144-146
  4. DOI: https://doi.org/10.1353/mdr.1986.0024
  5. restricted access
  1. American Dramatists 1918-1945 by Bernard F. Dukore (review)
  2. Bettina L. Knapp
  3. pp. 146-148
  4. DOI: https://doi.org/10.1353/mdr.1986.0035
  5. restricted access
  1. Drumbeats, Masks, and Metaphor: Contemporary Afro-American Theatre by Geneviève Fabre (review)
  2. Leslie Sanders
  3. pp. 148-149
  4. DOI: https://doi.org/10.1353/mdr.1986.0046
  5. restricted access
  1. Inner Landscapes: The Theater of Sam Shepard by Ron Mottram (review)
  2. Ann Wilson
  3. pp. 149-151
  4. DOI: https://doi.org/10.1353/mdr.1986.0056
  5. restricted access
  1. Major Plays of the Canadian Drama, 1934-1984 ed. by Richard Perkyns, and: The Penguin Book of Modern Canadian Drama, Volume I ed. by Richard Plant, and: Modern Canadian Plays ed. by Jerry Wasserman (review)
  2. Brian Parker
  3. pp. 151-154
  4. DOI: https://doi.org/10.1353/mdr.1986.0000
  5. restricted access
  1. Contributors
  3. pp. 155-156
  4. DOI: https://doi.org/10.1353/mdr.1986.0010
  5. restricted access