1. The Classical Heritage of Modern Drama: The Case of Postmodern Theatre
  2. Patrice Pavis, Loren Kruger
  3. pp. 1-22
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  1. Laocoön at the Frontier, or The Limit of Limits
  2. Daniel Gerould
  3. pp. 23-40
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  1. The Reverse View: Greece and Greek Myths in Modern French Theater
  2. Marc Eli Blanchard
  3. pp. 41-48
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  1. On Maeterlinck Reading Shakespeare
  2. Michael Hays
  3. pp. 49-59
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  1. Bond, Shakespeare, and the Absurd
  2. James C. Bulman
  3. pp. 60-70
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  1. Hofmannsthal's Electra and Its Dramatic Models
  2. Martin Mueller
  3. pp. 71-91
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  1. Stoick Seneca
  2. Thomas G. Rosenmeyer
  3. pp. 92-109
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  1. Twentieth-Century Plays Using Classical Mythic Themes: A Checklist
  2. Susan Harris Smith
  3. pp. 110-134
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  1. French Theatre Experiment since 1968 by Lenora Champagne (review)
  2. Robert E. Hiedemann
  3. pp. 135-137
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  1. Samuel Beckett: Humanistic Perspectives by Morris Beja, S.E. Gontarski and Pierre Astier (review)
  2. Clas Zilliacus
  3. pp. 137-138
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  1. Eduardo De Filippo by Mario B. Mignone (review)
  2. Franco Zangrilli
  3. pp. 139-141
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  1. Franz Xaver Kroetz: The Emergence of a Political Playwright by Richard W. Blevins (review)
  2. Ingeborg Walther
  3. pp. 141-142
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  1. Harold Pinter by Guido Almansi and Simon Henderson (review)
  2. Steven H. Gale
  3. pp. 143-144
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  1. Stoppard: The Mystery and the Clockwork by Richard Corballis (review)
  2. John Harty
  3. pp. 144-146
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  1. American Dramatists 1918-1945 by Bernard F. Dukore (review)
  2. Bettina L. Knapp
  3. pp. 146-148
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  1. Drumbeats, Masks, and Metaphor: Contemporary Afro-American Theatre by Geneviève Fabre (review)
  2. Leslie Sanders
  3. pp. 148-149
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  1. Inner Landscapes: The Theater of Sam Shepard by Ron Mottram (review)
  2. Ann Wilson
  3. pp. 149-151
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  1. Contributors
  2. pp. 155-156
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