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  Volume 29, Number 1, Spring 1986

Table of Contents

The Classical Heritage of Modern Drama: The Case of Postmodern Theatre

pp. 1-22
|

Laocoön at the Frontier, or The Limit of Limits

pp. 23-40
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The Reverse View: Greece and Greek Myths in Modern French Theater

pp. 41-48
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On Maeterlinck Reading Shakespeare

pp. 49-59
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Bond, Shakespeare, and the Absurd

pp. 60-70
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Hofmannsthal's Electra and Its Dramatic Models

pp. 71-91
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Stoick Seneca

pp. 92-109
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Twentieth-Century Plays Using Classical Mythic Themes: A Checklist

pp. 110-134
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Book Reviews

French Theatre Experiment since 1968 by Lenora Champagne (review)

pp. 135-137
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Samuel Beckett: Humanistic Perspectives by Morris Beja, S.E. Gontarski and Pierre Astier (review)

pp. 137-138
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Eduardo De Filippo by Mario B. Mignone (review)

pp. 139-141
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Franz Xaver Kroetz: The Emergence of a Political Playwright by Richard W. Blevins (review)

pp. 141-142
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Harold Pinter by Guido Almansi and Simon Henderson (review)

pp. 143-144
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Stoppard: The Mystery and the Clockwork by Richard Corballis (review)

pp. 144-146
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American Dramatists 1918-1945 by Bernard F. Dukore (review)

pp. 146-148
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Drumbeats, Masks, and Metaphor: Contemporary Afro-American Theatre by Geneviève Fabre (review)

pp. 148-149
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Inner Landscapes: The Theater of Sam Shepard by Ron Mottram (review)

pp. 149-151
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Major Plays of the Canadian Drama, 1934-1984 ed. by Richard Perkyns, and: The Penguin Book of Modern Canadian Drama, Volume I ed. by Richard Plant, and: Modern Canadian Plays ed. by Jerry Wasserman (review)

pp. 151-154
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Contributors

pp. 155-156
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Research Areas

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