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  Volume 29, Number 1, Spring 1986

Table of Contents

The Classical Heritage of Modern Drama: The Case of Postmodern Theatre

pp. 1-22

Laocoön at the Frontier, or The Limit of Limits

pp. 23-40

The Reverse View: Greece and Greek Myths in Modern French Theater

pp. 41-48

On Maeterlinck Reading Shakespeare

pp. 49-59

Bond, Shakespeare, and the Absurd

pp. 60-70

Hofmannsthal's Electra and Its Dramatic Models

pp. 71-91

Stoick Seneca

pp. 92-109

Twentieth-Century Plays Using Classical Mythic Themes: A Checklist

pp. 110-134

Book Reviews

French Theatre Experiment since 1968 by Lenora Champagne (review)

pp. 135-137

Samuel Beckett: Humanistic Perspectives by Morris Beja, S.E. Gontarski and Pierre Astier (review)

pp. 137-138

Eduardo De Filippo by Mario B. Mignone (review)

pp. 139-141

Franz Xaver Kroetz: The Emergence of a Political Playwright by Richard W. Blevins (review)

pp. 141-142

Harold Pinter by Guido Almansi and Simon Henderson (review)

pp. 143-144

Stoppard: The Mystery and the Clockwork by Richard Corballis (review)

pp. 144-146

American Dramatists 1918-1945 by Bernard F. Dukore (review)

pp. 146-148

Drumbeats, Masks, and Metaphor: Contemporary Afro-American Theatre by Geneviève Fabre (review)

pp. 148-149

Inner Landscapes: The Theater of Sam Shepard by Ron Mottram (review)

pp. 149-151

Major Plays of the Canadian Drama, 1934-1984 ed. by Richard Perkyns, and: The Penguin Book of Modern Canadian Drama, Volume I ed. by Richard Plant, and: Modern Canadian Plays ed. by Jerry Wasserman (review)

pp. 151-154


pp. 155-156

Research Areas


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