1. After Magritte, After Carroll, After Wittgenstein: What Tom Stoppard's Tortoise Taught Us
  2. Keir Elam
  3. pp. 469-485
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  1. Ghost Trio: Pinter's Family Voices
  2. Hersh Zeifman
  3. pp. 486-493
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  1. The Fascination of Fascism: The Plays of Stephen Poliakoff
  2. D. Keith Peacock
  3. pp. 494-505
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  1. Mythic Levels in Shepard's True West
  2. Tucker Orbison
  3. pp. 506-519
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  1. The American Dream in American Gothic: The Plays of Sam Shepard and Adrienne Kennedy
  2. Herbert Blau
  3. pp. 520-539
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  1. Aller à la mer
  2. Hélène Cixous, Barbara Kerslake
  3. pp. 546-548
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  1. Writing and Displacement: Women in Theatre
  2. Josette Féral, Barbara Kerslake
  3. pp. 549-563
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  1. Comic Textures and Female Communities 1937 and 1977: Clare Boothe and Wendy Wasserstein
  2. Susan L. Carlson
  3. pp. 564-573
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  1. Language and Meaning in Megan Terry's 1970s "Musicals"
  2. Kathleen Gregory Klein
  3. pp. 574-583
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  1. A Doll's House Revisited
  2. Austin E. Quigley
  3. pp. 584-603
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  1. Ibsen's Little Eyolf: Family Tragedy and Human Responsibility
  2. Barry Jacobs
  3. pp. 604-615
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  1. The Master Builder and the Failure of Symbolic Success
  2. James L. Calderwood
  3. pp. 616-636
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  1. A "Laingian" Reading of Pirandello's Henry IV
  2. Michael Patterson
  3. pp. 637-645
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  1. Luigi Pirandello by Susan Bassnett-McGuire (review)
  2. Roger W. Oliver
  3. pp. 646-647
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  1. French Feminism and Theatre: An Introduction
  2. Jeannette Laillou Savona
  3. pp. 540-545
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  1. Contributors
  2. pp. 648-650
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  1. Contents of Volume XXVII
  2. pp. 651-656
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