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Table of Contents

  1. The Spectator in Drama/Drama in the Spectator
  2. Una Chaudhuri
  3. pp. 281-298
  4. DOI: https://doi.org/10.1353/mdr.1984.0027
  5. restricted access
  1. On the Structure of Peter Shaffer's Amadeus
  2. Werner Huber, Hubert Zapf
  3. pp. 299-313
  4. DOI: https://doi.org/10.1353/mdr.1984.0033
  5. restricted access
  1. Equus: Shaffer, Nietzsche, and the Neuroses of Health
  2. Doyle W. Walls
  3. pp. 314-323
  4. DOI: https://doi.org/10.1353/mdr.1984.0040
  5. restricted access
  1. The Image of Theater in Tennessee Williams's Orpheus Descending
  2. Jack E. Wallace
  3. pp. 324-335
  4. DOI: https://doi.org/10.1353/mdr.1984.0047
  5. restricted access
  1. Late Tennessee Williams
  2. Ruby Cohn
  3. pp. 336-344
  4. DOI: https://doi.org/10.1353/mdr.1984.0054
  5. restricted access
  1. "The Will to Live": An Interview with Arthur Miller
  2. Steven R. Centola
  3. pp. 345-360
  4. DOI: https://doi.org/10.1353/mdr.1984.0017
  5. restricted access
  1. Federico García Lorca's The House of Bernarda Alba: A Hermaphroditic Matriarchate
  2. Bettina L. Knapp
  3. pp. 382-394
  4. DOI: https://doi.org/10.1353/mdr.1984.0031
  5. restricted access
  1. Tadeusz Różewicz's The Card Index: A New Beginning for Polish Drama
  2. Halina Filipowicz
  3. pp. 395-408
  4. DOI: https://doi.org/10.1353/mdr.1984.0038
  5. restricted access
  1. Using Words on the Stage: Shaw and Granville-Barker
  2. Richard Nickson
  3. pp. 409-419
  4. DOI: https://doi.org/10.1353/mdr.1984.0045
  5. restricted access
  1. The Narrow Escape in The Lady's Not for Burning
  2. Mary Ann K. Davis
  3. pp. 420-428
  4. DOI: https://doi.org/10.1353/mdr.1984.0052
  5. restricted access
  1. Ben Travers and the Aldwych Farces
  2. Leslie Smith
  3. pp. 429-448
  4. DOI: https://doi.org/10.1353/mdr.1984.0015
  5. restricted access
  1. Plays of Impasse: Contemporary Drama Set in Confining Institutions by Carol Rosen (review)
  2. Michael Hinden
  3. pp. 449-451
  4. DOI: https://doi.org/10.1353/mdr.1984.0022
  5. restricted access
  1. Jig Cook and the Provincetown Players: Theatre in Ferment by Robert Károly Sarlós (review)
  2. Linda Ben-Zvi
  3. pp. 451-453
  4. DOI: https://doi.org/10.1353/mdr.1984.0029
  5. restricted access
  1. The End of Humanism: Writings on Performance by Richard Schechner (review)
  2. Thomas J. Taylor
  3. pp. 455-457
  4. DOI: https://doi.org/10.1353/mdr.1984.0042
  5. restricted access
  1. Coping with Vulnerability: The Achievement of John Osborne by Herbert Goldstone (review)
  2. Steven H. Gale
  3. pp. 457-459
  4. DOI: https://doi.org/10.1353/mdr.1984.0049
  5. restricted access
  1. Languages of the Stage: Essays in the Semiology of Theatre by Patrice Pavis (review)
  2. Danuta Kuznicka
  3. pp. 459-462
  4. DOI: https://doi.org/10.1353/mdr.1984.0012
  5. restricted access
  1. From Stereotype to Metaphor: The Jew in Contemporary Drama by Ellen Schiff (review)
  2. Nahma Sandrow
  3. pp. 462-463
  4. DOI: https://doi.org/10.1353/mdr.1984.0019
  5. restricted access
  1. Einstein and Modern French Drama: An Anthology by Kenneth S. White (review)
  2. Robert E. Hiedemann
  3. pp. 464-465
  4. DOI: https://doi.org/10.1353/mdr.1984.0026
  5. restricted access
  1. Contributors
  2. pp. 466-468
  3. DOI: https://doi.org/10.1353/mdr.1984.0072
  4. restricted access