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  Volume 27, Number 3, Fall 1984

Table of Contents

From: Modern Drama

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The Spectator in Drama/Drama in the Spectator

pp. 281-298

On the Structure of Peter Shaffer's Amadeus

pp. 299-313

Equus: Shaffer, Nietzsche, and the Neuroses of Health

pp. 314-323

The Image of Theater in Tennessee Williams's Orpheus Descending

pp. 324-335

Late Tennessee Williams

pp. 336-344

"The Will to Live": An Interview with Arthur Miller

pp. 345-360

Analytics of Schizophrenia: A Deleuze-Guattarian Consideration of Büchner's Danton's Death and Weiss's Marat/Sade

pp. 361-381

Federico García Lorca's The House of Bernarda Alba: A Hermaphroditic Matriarchate

pp. 382-394

Tadeusz Różewicz's The Card Index: A New Beginning for Polish Drama

pp. 395-408

Using Words on the Stage: Shaw and Granville-Barker

pp. 409-419

The Narrow Escape in The Lady's Not for Burning

pp. 420-428

Ben Travers and the Aldwych Farces

pp. 429-448

Book Reviews

Plays of Impasse: Contemporary Drama Set in Confining Institutions by Carol Rosen (review)

pp. 449-451

Jig Cook and the Provincetown Players: Theatre in Ferment by Robert Károly Sarlós (review)

pp. 451-453

Edward Albee: An Interview and Essays ed. by Julian N. Wasserman, Joy L. Linsley and Jerome A. Kramer, and: Edward Albee, Revised Edition by Richard E. Amacher (review)

pp. 453-455

The End of Humanism: Writings on Performance by Richard Schechner (review)

pp. 455-457

Coping with Vulnerability: The Achievement of John Osborne by Herbert Goldstone (review)

pp. 457-459

Languages of the Stage: Essays in the Semiology of Theatre by Patrice Pavis (review)

pp. 459-462

From Stereotype to Metaphor: The Jew in Contemporary Drama by Ellen Schiff (review)

pp. 462-463

Einstein and Modern French Drama: An Anthology by Kenneth S. White (review)

pp. 464-465


pp. 466-468

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