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  Volume 26, Number 4, Winter 1983

Table of Contents

Counterpoint, Absence and the Medium in Beckett's Not I

pp. 407-414

Beckett's Actor

pp. 415-424

The Anatomy of Beckett's Eh Joe

pp. 425-434

"Faint, though by no means invisible": A Commentary on Beckett's Footfalls

pp. 435-446

The Theatrics of Triangular Trysts, or Variations on a Form: Labiche, Vitrac, Beckett

pp. 447-454

"Minting their Separate Wills": Tennessee Williams and Hart Crane

pp. 455-476

Hamlin Garland's Under the Wheel: Regionalism Unmasking America

pp. 477-485

Sam Shepard's Buried Child: The Ironic Use of Folklore

pp. 486-491

America as Junkshop: The Business Ethic in David Mamet's American Buffalo

pp. 492-500

Experimental Theatre and Semiology of Theatre: The Theatricalization of Voice

pp. 501-517

Contradictions and Dualities in Artaud and Artaudian Theater: The Conquest of Mexico and the Conquest of Peru

pp. 518-527

Simone de Beauvoir as Dramatist: Les Bouches Inutiles

pp. 528-535

Carr's Views on Art and Politics in Tom Stoppard's Travesties

pp. 536-542

Balancing the Equation

pp. 543-554

Expressionism in the Contemporary Spanish Theatre

pp. 555-569

Book Reviews

Ibsen: The Open Vision by John S. Chamberlain (review)

pp. 570-572

Strindberg and the Poetry of Myth by Harry G. Carlson (review)

pp. 572-573

Russian Dramatic Theory from Pushkin to the Symbolists ed. by Laurence Senelick (review)

pp. 573-575

The Theatre of Meyerhold: Revolution on the Modern Stage by Edward Braun, and: Meyerhold at Work ed. by Paul Schmidt (review)

pp. 576-578

Oskar Kokoschka: The Painter as Playwright by Henry I. Schvey (review)

pp. 578-580

Peter Stein: Germany's Leading Theatre Director by Michael Patterson (review)

pp. 580-582

Max Reinhardt by J.L. Styan (review)

pp. 582-583

New American Dramatists: 1960-1980 by Ruby Cohn (review)

pp. 583-584


pp. 585-587

Contents of Volume XXVI

pp. 588-593

Research Areas


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