We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 26, Number 4, Winter 1983

Table of Contents

Counterpoint, Absence and the Medium in Beckett's Not I

pp. 407-414 | DOI: 10.1353/mdr.1983.0047

Beckett's Actor

pp. 415-424 | DOI: 10.1353/mdr.1983.0060

The Anatomy of Beckett's Eh Joe

pp. 425-434 | DOI: 10.1353/mdr.1983.0073

"Faint, though by no means invisible": A Commentary on Beckett's Footfalls

pp. 435-446 | DOI: 10.1353/mdr.1983.0002

The Theatrics of Triangular Trysts, or Variations on a Form: Labiche, Vitrac, Beckett

pp. 447-454 | DOI: 10.1353/mdr.1983.0015

"Minting their Separate Wills": Tennessee Williams and Hart Crane

pp. 455-476 | DOI: 10.1353/mdr.1983.0029

Hamlin Garland's Under the Wheel: Regionalism Unmasking America

pp. 477-485 | DOI: 10.1353/mdr.1983.0042

Sam Shepard's Buried Child: The Ironic Use of Folklore

pp. 486-491 | DOI: 10.1353/mdr.1983.0055

America as Junkshop: The Business Ethic in David Mamet's American Buffalo

pp. 492-500 | DOI: 10.1353/mdr.1983.0068

Experimental Theatre and Semiology of Theatre: The Theatricalization of Voice

pp. 501-517 | DOI: 10.1353/mdr.1983.0081

Contradictions and Dualities in Artaud and Artaudian Theater: The Conquest of Mexico and the Conquest of Peru

pp. 518-527 | DOI: 10.1353/mdr.1983.0009

Simone de Beauvoir as Dramatist: Les Bouches Inutiles

pp. 528-535 | DOI: 10.1353/mdr.1983.0023

Carr's Views on Art and Politics in Tom Stoppard's Travesties

pp. 536-542 | DOI: 10.1353/mdr.1983.0037

Balancing the Equation

pp. 543-554 | DOI: 10.1353/mdr.1983.0050

Expressionism in the Contemporary Spanish Theatre

pp. 555-569 | DOI: 10.1353/mdr.1983.0063

Book Reviews

Ibsen: The Open Vision by John S. Chamberlain (review)

pp. 570-572 | DOI: 10.1353/mdr.1983.0076

Strindberg and the Poetry of Myth by Harry G. Carlson (review)

pp. 572-573 | DOI: 10.1353/mdr.1983.0004

Russian Dramatic Theory from Pushkin to the Symbolists ed. by Laurence Senelick (review)

pp. 573-575 | DOI: 10.1353/mdr.1983.0017

The Theatre of Meyerhold: Revolution on the Modern Stage by Edward Braun, and: Meyerhold at Work ed. by Paul Schmidt (review)

pp. 576-578 | DOI: 10.1353/mdr.1983.0031

Oskar Kokoschka: The Painter as Playwright by Henry I. Schvey (review)

pp. 578-580 | DOI: 10.1353/mdr.1983.0044

Peter Stein: Germany's Leading Theatre Director by Michael Patterson (review)

pp. 580-582 | DOI: 10.1353/mdr.1983.0057

Max Reinhardt by J.L. Styan (review)

pp. 582-583 | DOI: 10.1353/mdr.1983.0070

New American Dramatists: 1960-1980 by Ruby Cohn (review)

pp. 583-584 | DOI: 10.1353/mdr.1983.0084


pp. 585-587 | DOI: 10.1353/mdr.1983.0012

Contents of Volume XXVI

pp. 588-593 | DOI: 10.1353/mdr.1983.0026

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access