1. Counterpoint, Absence and the Medium in Beckett's Not I
  2. Paul Lawley
  3. pp. 407-414
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  1. Beckett's Actor
  2. William B. Worthen
  3. pp. 415-424
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  1. The Anatomy of Beckett's Eh Joe
  2. S.E. Gontarski
  3. pp. 425-434
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  1. "Faint, though by no means invisible": A Commentary on Beckett's Footfalls
  2. R. Thomas Simone
  3. pp. 435-446
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  1. The Theatrics of Triangular Trysts, or Variations on a Form: Labiche, Vitrac, Beckett
  2. Judith G. Miller
  3. pp. 447-454
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  1. "Minting their Separate Wills": Tennessee Williams and Hart Crane
  2. Gilbert Debusscher
  3. pp. 455-476
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  1. Hamlin Garland's Under the Wheel: Regionalism Unmasking America
  2. Warren Motley
  3. pp. 477-485
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  1. Sam Shepard's Buried Child: The Ironic Use of Folklore
  2. Thomas Nash
  3. pp. 486-491
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  1. America as Junkshop: The Business Ethic in David Mamet's American Buffalo
  2. June Schlueter, Elizabeth Forsyth
  3. pp. 492-500
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  1. Experimental Theatre and Semiology of Theatre: The Theatricalization of Voice
  2. Helga Finter, E.A. Walker, Kathryn Grardal
  3. pp. 501-517
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  1. Contradictions and Dualities in Artaud and Artaudian Theater: The Conquest of Mexico and the Conquest of Peru
  2. Peter L. Podol
  3. pp. 518-527
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  1. Simone de Beauvoir as Dramatist: Les Bouches Inutiles
  2. Judith Zykofsky Jones, Janelle Reinelt
  3. pp. 528-535
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  1. Carr's Views on Art and Politics in Tom Stoppard's Travesties
  2. David K. Rod
  3. pp. 536-542
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  1. Balancing the Equation
  2. Phyllis Ruskin, John H. Lutterbie
  3. pp. 543-554
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  1. Expressionism in the Contemporary Spanish Theatre
  2. Phyllis Zatlin-Boring
  3. pp. 555-569
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  1. Ibsen: The Open Vision by John S. Chamberlain (review)
  2. Otto Reinert
  3. pp. 570-572
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  1. Strindberg and the Poetry of Myth by Harry G. Carlson (review)
  2. Steven P. Sondrup
  3. pp. 572-573
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  1. Russian Dramatic Theory from Pushkin to the Symbolists ed. by Laurence Senelick (review)
  2. Daniel Gerould
  3. pp. 573-575
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  1. The Theatre of Meyerhold: Revolution on the Modern Stage by Edward Braun, and: Meyerhold at Work ed. by Paul Schmidt (review)
  2. Andrew Parkin
  3. pp. 576-578
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  1. Oskar Kokoschka: The Painter as Playwright by Henry I. Schvey (review)
  2. J.M. Ritchie
  3. pp. 578-580
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  1. Peter Stein: Germany's Leading Theatre Director by Michael Patterson (review)
  2. Jack Zipes
  3. pp. 580-582
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  1. Max Reinhardt by J.L. Styan (review)
  2. Herbert A. Arnold
  3. pp. 582-583
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  1. New American Dramatists: 1960-1980 by Ruby Cohn (review)
  2. Gerald Weales
  3. pp. 583-584
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  1. Contributors
  2. pp. 585-587
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  1. Contents of Volume XXVI
  2. pp. 588-593
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