1. The Magic Triangle: Ingmar Bergman's Implied Philosophy of Theatrical Communication
  2. Lise-Lone Marker
  3. pp. 251-261
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  1. Strindberg and Ibsen: Toward a Cubism of Time in Drama
  2. Benjamin K. Bennett
  3. pp. 262-281
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  1. Miss Julie: Strindberg's Tragic Fairy Tale
  2. Edmund A. Napieralski
  3. pp. 282-289
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  1. Strindberg's To Damascus: Archetypal Autobiography
  2. Diane Filby Gillespie
  3. pp. 290-304
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  1. Role Constraints versus Self-Identity in La tejedora de sueños and Anillos para una dama
  2. Elizabeth S. Rogers
  3. pp. 300-319
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  1. Natasha Ivanovna, the Lonely Bourgeoise
  2. Marina Majdalany
  3. pp. 305-309
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  1. Farce and Ritual: Arrabal's Contribution to Modern Tragic Farce
  2. Peter Norrish
  3. pp. 320-330
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  1. A Note on O'Neill, Nietzsche, and Naturalism: Long Day's Journey into Night in European Perspective
  2. Reinhold Grimm
  3. pp. 331-334
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  1. The Elephant Man as Dramatic Parable
  2. Janet L. Larson
  3. pp. 335-356
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  1. Hyperrealism in Contemporary Drama: Retrogressive or Avant-Garde?
  2. Carol Gelderman
  3. pp. 357-367
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  1. The Classical Tradition in Contemporary Québécois Theatre: Patterns of Ambivalence
  2. Renate Usmiani
  3. pp. 368-381
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  1. Essays on Contemporary British Drama ed. by Hedwig Bock and Albert Wertheim (review)
  2. Kristin Morrison
  3. pp. 382-383
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  1. Essays on Contemporary American Drama ed. by Hedwig Bock and Albert Wertheim (review)
  2. David L. Rinear
  3. pp. 384-385
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  1. "The Theatre We Worked For": The Letters of Eugene O'Neill to Kenneth Macgowan ed. by Jackson R. Bryer (review)
  2. Virginia Floyd
  3. pp. 385-387
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  1. Arthur Miller by Neil Carson (review)
  2. James J. Martine
  3. pp. 388-389
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  1. Harold Pinter by Bernard F. Dukore (review)
  2. Lillian Back
  3. pp. 389-391
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  1. Georg Büchner by Julian Hilton (review)
  2. David G. Richards
  3. pp. 391-392
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  1. Eugène Labiche and Georges Feydeau by Leonard C. Pronko (review)
  2. Edith Kern
  3. pp. 392-394
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  1. Georges Feydeau and the Aesthetics of Farce by Stuart E. Baker (review)
  2. Norman Shapiro
  3. pp. 394-396
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  1. The Theatre of Jean Anouilh by H.G. McIntyre (review)
  2. Robert Champigny
  3. pp. 396-397
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  1. The Profane Book of Irish Comedy by David Krause (review)
  2. Richard Burnham
  3. p. 397
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  1. Sean O'Casey's Bridge of Vision: Four Essays on Structure and Perspective by Carol Kleiman (review)
  2. Bernard Benstock
  3. pp. 398-399
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  1. New Broadways: Theatre Across America 1950-1980 by Gerald M. Berkowitz (review)
  2. June Schlueter
  3. pp. 399-400
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  1. The Story of Shaw's Saint Joan by Brian Tyson (review)
  2. J.L. Wisenthal
  3. pp. 400-402
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  1. The Unexpected Shaw: Biographical Approaches to G.B.S. and His Work by Stanley Weintraub (review)
  2. Richard Nickson
  3. pp. 402-403
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  1. Contributors
  2. pp. 404-405
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