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  Volume 25, Number 3, Fall 1982

Table of Contents

Beckett's Ohio Impromptu: A View from the Isle of Swans

pp. 331-341
|

Light, Sound, Movement, and Action in Beckett's Rockaby

pp. 342-348
|

The Rip Word in A Piece of Monologue

pp. 349-354
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Beckett's Late Works: An Appraisal

pp. 355-362
|

Roger Planchon's Gilles de Rais: A Liturgy of Evil

pp. 363-373
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Armand Gatti, Subject to History: The Problem of Representation

pp. 374-386
|

Remembrance of Things Past: French Theater Praxis Today

pp. 387-398
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French Stowaways on an American Milk Train: Williams, Cocteau and Peyrefitte

pp. 399-408
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The Composition of The Glass Menagerie: An Argument for Complexity

pp. 409-422
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Edward Bond's Dialectic: Irony and Dramatic Metaphors

pp. 423-434
|

Book Reviews

The Antitheatrical Prejudice by Jonas Barish (review)

pp. 435-437
|

The Onstage Christ: Studies in the Persistence of a Theme by John Ditsky (review)

pp. 437-438
|

Chekhov's Great Plays: A Critical Anthology ed. by Jean-Pierre Barricelli (review)

pp. 438-440
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Modern British Drama (Goldentree Bibliographies) by Charles A. Carpenter (review)

pp. 440-441
|

Mediations: Essays on Brecht, Beckett, and the Media by Martin Esslin (review)

pp. 441-443
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Bertolt Brecht: Political Theory and Literary Practice ed. by Betty Nance Weber and Hubert Heinen (review)

pp. 443-446
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Roger Planchon: director and playwright by Yvette Daoust (review)

pp. 446-448
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La relation théâtrale ed. by Regis Durand, and: Études littéraires ed. by Jeannette Laillou Savona (review)

pp. 448-450
|

Henrik Ibsen: Mennesket og Kunstneren by Daniel Haakonsen (review)

pp. 450-452
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American Dreams: The Imagination of Sam Shepard ed. by Bonnie Marranca (review)

pp. 452-454
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Contributors

pp. 455-456
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Research Areas

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