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  Volume 25, Number 2, Summer 1982

Table of Contents

From: Modern Drama

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The Political Spectrum of Edward Bond: From Rationalism to Rhapsody

pp. 189-206 | DOI: 10.1353/mdr.1982.0029

Makers of Real Shapes: Christopher Hampton and his Story-tellers

pp. 207-221 | DOI: 10.1353/mdr.1982.0041

Modern Drama Studies: An Annual Bibliography

pp. 222-310 | DOI: 10.1353/mdr.1982.0053

Book Reviews

Modern German Drama: A Study in Form by Christopher Innes (review)

pp. 311-312 | DOI: 10.1353/mdr.1982.0067

Holy Theatre: Ritual and the Avant Garde by Christopher Innes (review)

pp. 312-313 | DOI: 10.1353/mdr.1982.0001

Contemporary English Drama ed. by C.W.E. Bigsby, and: As the Curtain Rises: On Contemporary British Drama 1966-1976 by Douglas Colby (review)

pp. 314-315 | DOI: 10.1353/mdr.1982.0014

The Theatre of Peter Barnes by Bernard F. Dukore (review)

pp. 316-317 | DOI: 10.1353/mdr.1982.0025

Post-war British Theatre Criticism by John Elsom (review)

pp. 317-319 | DOI: 10.1353/mdr.1982.0037

J. B. Priestley (review)

pp. 319-320 | DOI: 10.1353/mdr.1982.0049

The Face of Illusion in American Drama by A.D. Choudhuri (review)

pp. 321-322 | DOI: 10.1353/mdr.1982.0061

The Strands Entwined: A New Direction in American Drama by Samuel J. Bernstein (review)

pp. 322-324 | DOI: 10.1353/mdr.1982.0075

The American Woman Playwright: A View of Criticism and Characterization by Judith Olauson (review)

pp. 324-326 | DOI: 10.1353/mdr.1982.0008

The Intruder in Modern Drama by Samar Attar (review)

pp. 326-327 | DOI: 10.1353/mdr.1982.0020

VĂ­ctor Ruiz Iriarte by Phyllis Zatlin Boring (review)

pp. 328-329 | DOI: 10.1353/mdr.1982.0032


p. 1 | DOI: 10.1353/mdr.1982.0044

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