restricted access   Volume 25, Number 2, Summer 1982

Table of Contents

From: Modern Drama

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The Political Spectrum of Edward Bond: From Rationalism to Rhapsody

pp. 189-206
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Makers of Real Shapes: Christopher Hampton and his Story-tellers

pp. 207-221
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Modern Drama Studies: An Annual Bibliography

pp. 222-310
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Book Reviews

Modern German Drama: A Study in Form by Christopher Innes (review)

pp. 311-312
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Holy Theatre: Ritual and the Avant Garde by Christopher Innes (review)

pp. 312-313
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Contemporary English Drama ed. by C.W.E. Bigsby, and: As the Curtain Rises: On Contemporary British Drama 1966-1976 by Douglas Colby (review)

pp. 314-315
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The Theatre of Peter Barnes by Bernard F. Dukore (review)

pp. 316-317
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Post-war British Theatre Criticism by John Elsom (review)

pp. 317-319
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J. B. Priestley (review)

pp. 319-320
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The Face of Illusion in American Drama by A.D. Choudhuri (review)

pp. 321-322
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The Strands Entwined: A New Direction in American Drama by Samuel J. Bernstein (review)

pp. 322-324
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The American Woman Playwright: A View of Criticism and Characterization by Judith Olauson (review)

pp. 324-326
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The Intruder in Modern Drama by Samar Attar (review)

pp. 326-327
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VĂ­ctor Ruiz Iriarte by Phyllis Zatlin Boring (review)

pp. 328-329
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Contributors

p. 1
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