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  Volume 24, Number 4, Winter 1981

Table of Contents

From: Modern Drama

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The Politics of Anxiety: Contemporary Socialist Theatre in England

pp. 393-403

Creativity and Commitment in Trevor Griffiths's Comedians

pp. 404-423

Snoo Wilson: Enfant Terrible of the English Stage

pp. 424-435

David Mercer and the Mixed Blessing of Television

pp. 436-444

This, That and the Other: The Critic and the Alternative Theatre

pp. 445-457

The Search for Epic Drama: Edward Bond's Recent Work

pp. 458-478

Bond's Restoration

pp. 479-493

The Dumb Waiter: Pinter's Play with the Audience

pp. 494-502

Cinematic Fidelity and the Forms of Pinter's Betrayal

pp. 503-513

Orton's Loot as "Quotidian Farce": The Intersection of Black Comedy and Daily Life

pp. 514-524

The Optical Allusion: Perception and Form in Stoppard's Travesties

pp. 525-539

Adultery is Next to Godlessness: Dramatic Juxtaposition in Peter Nichols's Passion Play

pp. 540-545

Bond, Shaffer, Stoppard, Storey: An International Checklist of Commentary

pp. 546-556

Book Reviews

Bond: A Study of his Plays by Malcolm Hay and Philip Roberts (review)

pp. 557-559

Frescoes of the Skull: The Later Prose and Drama of Samuel Beckett by James Knowlson and John Pilling (review)

pp. 559-560

Just Play: Beckett's Theater by Ruby Cohn (review)

pp. 561-562

Dictionnaire du théâtre. Termes et concepts de l'analyse théâtrale by Patrice Pavis (review)

pp. 563-564

Peer Gynt by Henrik Ibsen, and: To the Third Empire: Ibsen's Early Drama by Brian Johnston (review)

pp. 564-568

Pirandello: An Approach to his Theatre by Olga Ragusa (review)

pp. 568-570

Anarchism in the Dramas of Ernst Toller by Michael Ossar (review)

pp. 570-572

Theatre and Alchemy by Bettina L. Knapp (review)

pp. 572-574


pp. 575-576

Contents of Volume XXIV

pp. 577-582

Research Areas


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