1. Exiles, The Great God Brown, and the Specter of Nietzsche
  2. Linda Ben-Zvi
  3. pp. 251-269
  4. DOI: 10.1353/mdr.1981.0018
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  1. Ethical Perversity in America: Some Observations on David Mamet's American Buffalo
  2. Jack V. Barbera
  3. pp. 270-275
  4. DOI: 10.1353/mdr.1981.0031
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  1. J. M. Synge on the Irish Dramatic Movement: an Unpublished Article
  2. Ann Saddlemyer
  3. pp. 276-281
  4. DOI: 10.1353/mdr.1981.0043
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  1. Hauptmann's Hannele: Naturalistic Fairy Tale and Dream Play
  2. David Nicholson
  3. pp. 282-291
  4. DOI: 10.1353/mdr.1981.0054
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  1. The Politics of Brutality: Toward a Definition of the Critical Volksstück
  2. Susan L. Cocalis
  3. pp. 292-313
  4. DOI: 10.1353/mdr.1981.0065
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  1. "Give o'er the play": Closure in Shakespeare's Hamlet and Pirandello's Six Characters in Search of an Author
  2. Naomi Conn Liebler
  3. pp. 314-322
  4. DOI: 10.1353/mdr.1981.0001
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  1. Shakespearean and Pirandellian: Hamlet and Six Characters in Search of an Author
  2. Maurice Charney
  3. pp. 323-329
  4. DOI: 10.1353/mdr.1981.0013
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  1. Dramatists at (Meta) Play: Shakespeare's Hamlet, II, ii, II. 410-591 and Pirandello's Henry IV
  2. Jill L. Levenson
  3. pp. 330-337
  4. DOI: 10.1353/mdr.1981.0026
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  1. Madness, Revenge, and the Metaphor of the Theater in Shakespeare's Hamlet and Pirandello's Henry IV
  2. Matthew N. Proser
  3. pp. 338-352
  4. DOI: 10.1353/mdr.1981.0038
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  1. Opening Closure
  2. Terence Hawkes
  3. pp. 353-356
  4. DOI: 10.1353/mdr.1981.0050
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  1. Chekhov and the Contemporary Theatre
  2. Clayton A. Hubbs
  3. pp. 357-366
  4. DOI: 10.1353/mdr.1981.0061
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  1. The Theatre of Friedrich Dürrenmatt: A Study in the Possibility of Freedom by Kenneth S. Whitton (review)
  2. Armin Arnold
  3. pp. 387-388
  4. DOI: 10.1353/mdr.1981.0034
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  1. Les Voies de la création théâtrale ed. by René Bablet (review)
  2. Laure Rièse
  3. pp. 388-390
  4. DOI: 10.1353/mdr.1981.0046
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  1. Contributors
  2. pp. 391-392
  3. DOI: 10.1353/mdr.1981.0057
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