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In this Issue

Table of Contents

  1. "The Formless Hunch": An Interview with Peter Brook
  2. Daniel Labeille
  3. pp. 221-226
  4. DOI: https://doi.org/10.1353/mdr.1980.0017
  5. restricted access
  1. Harold Pinter's Betrayal: The Patterns of Banality
  2. Linda Ben-Zvi
  3. pp. 227-237
  4. DOI: https://doi.org/10.1353/mdr.1980.0021
  5. restricted access
  1. Pinter's Betrayal and the Comedy of Manners
  2. Elin F. Diamond
  3. pp. 238-245
  4. DOI: https://doi.org/10.1353/mdr.1980.0025
  5. restricted access
  1. Pinter's Progress
  2. Noel King
  3. pp. 250-257
  4. DOI: https://doi.org/10.1353/mdr.1980.0003
  5. restricted access
  1. Violence and the Comic in the Plays of Edward Bond
  2. Frances Rademacher
  3. pp. 258-268
  4. DOI: https://doi.org/10.1353/mdr.1980.0007
  5. restricted access
  1. Beyond Politics in Bond's Lear
  2. Perry Nodelman
  3. pp. 269-276
  4. DOI: https://doi.org/10.1353/mdr.1980.0011
  5. restricted access
  1. Liturgy and Time in Counterpoint: A View of T.S. Eliot's Murder in the Cathedral
  2. Lionel J. Pike
  3. pp. 277-291
  4. DOI: https://doi.org/10.1353/mdr.1980.0015
  5. restricted access
  1. Voices in the Cathedral: The Chorus in Eliot's Murder in the Cathedral
  2. William J. McGill
  3. pp. 294-296
  4. DOI: https://doi.org/10.1353/mdr.1980.0019
  5. restricted access
  1. Lascelles Abercrombie — Playwright
  2. Esther Safer Fisher
  3. pp. 297-308
  4. DOI: https://doi.org/10.1353/mdr.1980.0024
  5. restricted access
  1. Theatre Space: A Historical Overview of the Theatre Movement in Ghana
  2. Sophia D. Lokko
  3. pp. 309-319
  4. DOI: https://doi.org/10.1353/mdr.1980.0006
  5. restricted access
  1. Theatre and Anti-Theatre: New Movements since Beckett by Ronald Hayman (review)
  2. June Schlueter
  3. pp. 323-324
  4. DOI: https://doi.org/10.1353/mdr.1980.0010
  5. restricted access
  1. Contributors
  2. pp. 325-326
  3. DOI: https://doi.org/10.1353/mdr.1980.0014
  4. restricted access