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In this Issue

Table of Contents

  1. Modern Hieratic Ideas about Theatre: Maurice Maeterlinck and Antonin Artaud
  2. Linn B. Konrad
  3. pp. 327-337
  4. DOI: https://doi.org/10.1353/mdr.1979.0031
  5. restricted access
  1. The Artist as Con Man in No Man's Land
  2. Albert E. Kalson
  3. pp. 339-346
  4. DOI: https://doi.org/10.1353/mdr.1979.0002
  5. restricted access
  1. Pinter the Player
  2. Leslie Smith
  3. pp. 349-363
  4. DOI: https://doi.org/10.1353/mdr.1979.0008
  5. restricted access
  1. The Unhappy Mean in Simon Gray's Otherwise Engaged
  2. Byron Nelson
  3. pp. 365-370
  4. DOI: https://doi.org/10.1353/mdr.1979.0014
  5. restricted access
  1. Terence Rattigan's Variations on a Theme
  2. Richard Foulkes
  3. pp. 375-382
  4. DOI: https://doi.org/10.1353/mdr.1979.0019
  5. restricted access
  1. Workers' Theatre: Forms and Techniques
  2. George Phillipson
  3. pp. 383-389
  4. DOI: https://doi.org/10.1353/mdr.1979.0024
  5. restricted access
  1. Annotated Bibliographical Guide to the Study of Cuban Theatre after 1959
  2. Terry L. Palls
  3. pp. 391-408
  4. DOI: https://doi.org/10.1353/mdr.1979.0029
  5. restricted access
  1. Artaud in Print
  2. Ruby Cohn
  3. pp. 409-419
  4. DOI: https://doi.org/10.1353/mdr.1979.0034
  5. restricted access
  1. "Another County Heard From"
  2. Gerald Weales
  3. pp. 419-422
  4. DOI: https://doi.org/10.1353/mdr.1979.0005
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  1. The Noble Drama of W. B. Yeats by Liam Miller (review)
  2. Michael J. Sidnell
  3. pp. 422-424
  4. DOI: https://doi.org/10.1353/mdr.1979.0011
  5. restricted access
  1. The Italian Theatre Today: Twelve Interviews by Alba Amoia (review)
  2. Antonino Musumeci
  3. pp. 424-427
  4. DOI: https://doi.org/10.1353/mdr.1979.0016
  5. restricted access
  1. Contributors Notes
  2. pp. 1-2
  3. DOI: https://doi.org/10.1353/mdr.1979.0026
  4. restricted access