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  Volume 22, Number 4, Winter 1979

Table of Contents

From: Modern Drama

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Modern Hieratic Ideas about Theatre: Maurice Maeterlinck and Antonin Artaud

pp. 327-337 | DOI: 10.1353/mdr.1979.0031

The Artist as Con Man in No Man's Land

pp. 339-346 | DOI: 10.1353/mdr.1979.0002

Pinter the Player

pp. 349-363 | DOI: 10.1353/mdr.1979.0008

The Unhappy Mean in Simon Gray's Otherwise Engaged

pp. 365-370 | DOI: 10.1353/mdr.1979.0014

Terence Rattigan's Variations on a Theme

pp. 375-382 | DOI: 10.1353/mdr.1979.0019

Workers' Theatre: Forms and Techniques

pp. 383-389 | DOI: 10.1353/mdr.1979.0024

Annotated Bibliographical Guide to the Study of Cuban Theatre after 1959

pp. 391-408 | DOI: 10.1353/mdr.1979.0029

Artaud in Print

pp. 409-419 | DOI: 10.1353/mdr.1979.0034

Book Reviews

"Another County Heard From"

pp. 419-422 | DOI: 10.1353/mdr.1979.0005

The Noble Drama of W. B. Yeats by Liam Miller (review)

pp. 422-424 | DOI: 10.1353/mdr.1979.0011

The Italian Theatre Today: Twelve Interviews by Alba Amoia (review)

pp. 424-427 | DOI: 10.1353/mdr.1979.0016

Fight For Shelton Bar by Peter Cheeseman, and: Strawberry Fields by Stephen Poliakoff, and: "Huggy Bear" & Other Plays by David Mercer (review)

pp. 427-430 | DOI: 10.1353/mdr.1979.0021

Contributors Notes

pp. 1-2 | DOI: 10.1353/mdr.1979.0026

Research Areas


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