Volume 35, Number 4, Fall 2012

Table of Contents

Program

Translations

pp. 1047-1055
|

Poetry

Telling Question

pp. 875-880
|

Daddy’s Rabbit Stew

pp. 873-874
|

All Apologies

p. 887
|

Mercy

p. 888
|

Twenty-Nine Post-Its Because I Couldn’t Talk To You

p. 883
|

Damnatio Memoriae

p. 881
|

Sublimation

p. 882
|

Revolution Staccato in B

p. 897
|

Altar Call

p. 884
|

Disorder

p. 899
|

Two Cities

p. 898
|

Civil Rights Cold Case #8 (Or a Christmas Premonition)

p. 896
|

The Americans

pp. 845-850
|

Nux Vomica (Poison Nut): from Boericke’s Materia Medica

pp. 885-886
|

Fiction

from The Search

pp. 893-894
|

from What We Do Cherish

pp. 891-892
|

Adelaide’s Blues

pp. 862-866
|

The House Girl

pp. 851-861
|

Drama

Procession

pp. 900-904
|

Creative Nonfiction

The Bloodpeople in the Language

pp. 905-913
|

Nonfiction

Necessary Crossings: Bridge, Flux, and Raft at “Translations” the 2011 Callaloo Conference

pp. 1010-1014
|

Risk and the Sublime: Pushing the Personal Limit at the 2012 Callaloo Creative Writing Workshop

pp. 868-870
|

Location and Scope

pp. 889-890
|

Keynote Introduction for Robert Farris Thompson

pp. 997-998
|

Reflections on Performing Ben Patterson’s “Paper Piece”

pp. 1021-1024
|

A Translation of a Translation: Response to Brent Hayes Edwards

pp. 975-978
|

Reflections on the 2011 Callaloo Conference

pp. 1033-1046
|

“That Ruthless”: Guts and Reconciliation in the Lyric of Experience

pp. 871-872
|

Response to Brent Edwards’s “The Taste of the Archive”

pp. 973-974
|

Poetry Night

pp. 1025-1032
|

Seeing Double: Creative Writing as Translation

pp. 1001-1005
|

The “Yeas” Have It for “Translation”: Notes from the Editor

pp. 915-924
|

Black Body Returned: A Response to George Lewis’s talk “In Search of Ben Patterson: An Improvised Journey”

pp. 1015-1020
|

Commander of the Cool: Translating the Art of an African Woman Excerpts from Robert Farris Thompson’s Final Keynote Address

pp. 999-1000
|

Seeing in the Dark

pp. 1006-1009
|

Translating Black Power and Beauty—: Carrie Mae Weems

pp. 993-996
|

Introduction for Hortense Spillers

pp. 925-928
|

Articles

La Negra Angustias: The Mulata in Mexican Literature and Cinema

pp. 1085-1102
|

The Taste of the Archive

pp. 944-972
|

Space, that Bottomless Pit: Planetary Exile and Metaphors of Belonging in American Afrofuturist Cinema

pp. 1103-1122
|

“Don’t Let Me Be Misunderstood”: Nina Simone’s Theater of Invisibility

pp. 1056-1084
|

In Search of Benjamin Patterson: An Improvised Journey

pp. 979-992
|

Creative Writing as Translation

pp. 939-943
|

A Transatlantic Circuit: Baldwin at Mid-Century Opening Keynote Address

pp. 929-938
|

Congratulations

p. v
|

Contributors

pp. 1123-1128
|

Author and Title Index to Callaloo Volume 35 (Whole Numbers 130–133)

pp. 1131-1137
|