1. The Americans
  2. Natasha Trethewey
  3. pp. 845-850
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  1. The House Girl
  2. Douglas Silver
  3. pp. 851-861
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  1. Adelaide’s Blues
  2. Oronike Odeleye
  3. pp. 862-866
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  1. Risk and the Sublime: Pushing the Personal Limit at the 2012 Callaloo Creative Writing Workshop
  2. Vievee Francis
  3. pp. 868-870
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  1. “That Ruthless”: Guts and Reconciliation in the Lyric of Experience
  2. Gregory Pardlo
  3. pp. 871-872
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  1. Daddy’s Rabbit Stew
  2. Alyss Dixson
  3. pp. 873-874
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  1. Telling Question
  2. A. H. Jerriod Avant
  3. pp. 875-880
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  1. Damnatio Memoriae
  2. Cindy King
  3. p. 881
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  1. Sublimation
  2. Cindy King
  3. p. 882
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  1. Twenty-Nine Post-Its Because I Couldn’t Talk To You
  2. Keith M. Harris
  3. p. 883
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  1. Altar Call
  2. Michelle J. Pinkard
  3. p. 884
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  1. Nux Vomica (Poison Nut): from Boericke’s Materia Medica
  2. Sandra M. Yee
  3. pp. 885-886
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  1. All Apologies
  2. Jonterri Gadson
  3. p. 887
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  1. Mercy
  2. Jonterri Gadson
  3. p. 888
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  1. Location and Scope
  2. Ravi Howard
  3. pp. 889-890
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  1. from What We Do Cherish
  2. Tommy Mouton
  3. pp. 891-892
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  1. from The Search
  2. Bsrat Mezghebe
  3. pp. 893-894
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  1. Civil Rights Cold Case #8 (Or a Christmas Premonition)
  2. Lolita Stewart-White
  3. p. 896
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  1. Revolution Staccato in B
  2. Cynthia Manick
  3. p. 897
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  1. Two Cities
  2. Vanesha Pravin
  3. p. 898
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  1. Disorder
  2. Vanesha Pravin
  3. p. 899
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  1. Procession
  2. Renée E. Neely
  3. pp. 900-904
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  1. The Bloodpeople in the Language
  2. Thomas Glave
  3. pp. 905-913
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  1. The “Yeas” Have It for “Translation”: Notes from the Editor
  2. Charles Henry Rowell
  3. pp. 915-924
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  1. A Transatlantic Circuit: Baldwin at Mid-Century Opening Keynote Address
  2. Hortense Spillers
  3. pp. 929-938
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  1. Creative Writing as Translation
  2. Maaza Mengiste
  3. pp. 939-943
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  1. The Taste of the Archive
  2. Brent Hayes Edwards
  3. pp. 944-972
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  1. Response to Brent Edwards’s “The Taste of the Archive”
  2. James B. Peterson
  3. pp. 973-974
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  1. A Translation of a Translation: Response to Brent Hayes Edwards
  2. Régine Michelle Jean-Charles
  3. pp. 975-978
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  1. In Search of Benjamin Patterson: An Improvised Journey
  2. George E. Lewis
  3. pp. 979-992
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  1. Translating Black Power and Beauty—: Carrie Mae Weems
  2. Deborah Willis
  3. pp. 993-996
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  1. Commander of the Cool: Translating the Art of an African Woman Excerpts from Robert Farris Thompson’s Final Keynote Address
  2. Robert Farris Thompson
  3. pp. 999-1000
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  1. Seeing Double: Creative Writing as Translation
  2. Nelly Rosario
  3. pp. 1001-1005
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  1. Seeing in the Dark
  2. Olympia Vernon
  3. pp. 1006-1009
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  1. Necessary Crossings: Bridge, Flux, and Raft at “Translations” the 2011 Callaloo Conference
  2. Vievee Francis
  3. pp. 1010-1014
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  1. Black Body Returned: A Response to George Lewis’s talk “In Search of Ben Patterson: An Improvised Journey”
  2. Francesca T. Royster
  3. pp. 1015-1020
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  1. Reflections on Performing Ben Patterson’s “Paper Piece”
  2. Tsitsi Jaji
  3. pp. 1021-1024
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  1. Poetry Night
  2. Hermine D. Pinson
  3. pp. 1025-1032
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  1. Reflections on the 2011 Callaloo Conference
  2. Gregory Pardlo
  3. pp. 1033-1046
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  1. Translations
  2. pp. 1047-1055
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  1. “Don’t Let Me Be Misunderstood”: Nina Simone’s Theater of Invisibility
  2. Danielle C. Heard
  3. pp. 1056-1084
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  1. La Negra Angustias: The Mulata in Mexican Literature and Cinema
  2. B. Christine Arce
  3. pp. 1085-1102
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  1. Space, that Bottomless Pit: Planetary Exile and Metaphors of Belonging in American Afrofuturist Cinema
  2. Ramzi Fawaz
  3. pp. 1103-1122
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  1. Author and Title Index to Callaloo Volume 35 (Whole Numbers 130–133)
  2. Kathryn B. Karasek, Hannah Sears
  3. pp. 1131-1137
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  1. Congratulations
  2. p. v
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  1. Introduction for Hortense Spillers
  2. Dagmawi Woubshet
  3. pp. 925-928
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  1. Keynote Introduction for Robert Farris Thompson
  2. Shona N. Jackson
  3. pp. 997-998
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  1. Contributors
  2. pp. 1123-1128
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