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In this Issue

Table of Contents

  1. Front Porch
  2. Jocelyn R. Neal
  3. pp. 1-6
  4. DOI: https://doi.org/10.1353/scu.2013.0010
  5. restricted access

Articles

  1. The New Masters of Eloquence: Southernness, Senegal, and Transatlantic Hip-Hop Mobilities
  2. Ali Colleen Neff
  3. pp. 7-25
  4. DOI: https://doi.org/10.1353/scu.2013.0001
  5. restricted access
  1. Steelin' the Slide: Hawai'i and the Birth of the Blues Guitar
  2. John W. Troutman
  3. pp. 26-52
  4. DOI: https://doi.org/10.1353/scu.2013.0003
  5. restricted access
  1. Trading Verses: James "Son Ford" Thomas and Allen Ginsberg
  2. William R. Ferris
  3. pp. 53-60
  4. DOI: https://doi.org/10.1353/scu.2013.0005
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  1. The Color of the Blues: Considering Revisionist Blues Scholarship
  2. Christian O'Connell
  3. pp. 61-81
  4. DOI: https://doi.org/10.1353/scu.2013.0007
  5. restricted access
  1. The Bootleg South: The Geography of Music Piracy in the 1970s
  2. Alex Sayf Cummings
  3. pp. 82-97
  4. DOI: https://doi.org/10.1353/scu.2013.0008
  5. restricted access
  1. Outback Elvis: Riding with the King in Parkes, Australia
  2. Gretchen Wood
  3. pp. 98-110
  4. DOI: https://doi.org/10.1353/scu.2013.0009
  5. restricted access
  1. The Banjo
  2. Michael McFee
  3. p. 111
  4. DOI: https://doi.org/10.1353/scu.2013.0000
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  1. Rufus Thomas, Man of the House of Happiness
  2. Thomas Hackett
  3. pp. 112-116
  4. DOI: https://doi.org/10.1353/scu.2013.0002
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The Global Southern Music Issue’s CD

  1. Traveling Shoes
  2. Aaron Smithers
  3. p. 117
  4. DOI: https://doi.org/10.1353/scu.2013.0004
  5. restricted access
  1. About the Contributors
  3. p. 118
  4. DOI: https://doi.org/10.1353/scu.2013.0006
  5. restricted access