1. Milestones
  2. Frederick J. Marker
  3. pp. 221-222
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  1. Roundelay
  2. Samuel Beckett
  3. p. 223
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  1. The Solution as Problem: Beckett's Waiting for Godot
  2. Rolf Breuer
  3. pp. 225-236
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  1. Samuel Beckett's Interest in Form: Structural Patterning in Play
  2. Rosemary Pountney
  3. pp. 237-244
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  1. Art in Microcosm: The Manuscript Stages of Beckett's Come and Go
  2. Breon Mitchell
  3. pp. 245-254
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  1. Come and Go
  2. Samuel Beckett
  3. pp. 255-260
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  1. Beckett Criticism in Modern Drama: A Checklist
  2. Frederick J. Marker
  3. pp. 261-263
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  1. Society as a Brothel: Genet's Satire in The Balcony
  2. Albert Bermel
  3. pp. 265-280
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  1. The Grotesque in Amédée or How to Get Rid of It
  2. Linda Davis Kyle
  3. pp. 281-290
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  1. Stasis as Structure in Pinter's No Man's Land
  2. John Bush Jones
  3. pp. 291-304
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  1. The Contemporary Spanish Theater (1949-1972) by Marion P. Holt (review)
  2. Martha T. Halsey
  3. pp. 305-306
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  1. Bernard Shaw: A Psychological Study by Daniel Dervin (review)
  2. R.F. Dietrich
  3. pp. 306-307
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  1. Jean Anouilh: Stages in Rebellion by B.A. Lenski (review)
  2. Robert Champigny
  3. pp. 308-309
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  1. Off-Stage Voices, Interviews with Modern French Dramatists by Bettina Knapp (review)
  2. Rosette C. Lamont
  3. pp. 309-310
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  1. Beckett and Broadcasting: A Study of the Works of Samuel Beckett for and in Radio and Television by Clas Zilliacus (review)
  2. Ruby Cohn
  3. pp. 310-314
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  1. Contributors
  2. p. 1
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