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  Volume 19, Number 3, Fall 1976

Table of Contents


pp. 221-222 | DOI: 10.1353/mdr.1976.0021


p. 223 | DOI: 10.1353/mdr.1976.0028

The Solution as Problem: Beckett's Waiting for Godot

pp. 225-236 | DOI: 10.1353/mdr.1976.0035

Samuel Beckett's Interest in Form: Structural Patterning in Play

pp. 237-244 | DOI: 10.1353/mdr.1976.0041

Art in Microcosm: The Manuscript Stages of Beckett's Come and Go

pp. 245-254 | DOI: 10.1353/mdr.1976.0047

Come and Go

pp. 255-260 | DOI: 10.1353/mdr.1976.0053

Beckett Criticism in Modern Drama: A Checklist

pp. 261-263 | DOI: 10.1353/mdr.1976.0019

Society as a Brothel: Genet's Satire in The Balcony

pp. 265-280 | DOI: 10.1353/mdr.1976.0026

The Grotesque in Amédée or How to Get Rid of It

pp. 281-290 | DOI: 10.1353/mdr.1976.0033

Stasis as Structure in Pinter's No Man's Land

pp. 291-304 | DOI: 10.1353/mdr.1976.0039

Book Reviews

The Contemporary Spanish Theater (1949-1972) by Marion P. Holt (review)

pp. 305-306 | DOI: 10.1353/mdr.1976.0045

Bernard Shaw: A Psychological Study by Daniel Dervin (review)

pp. 306-307 | DOI: 10.1353/mdr.1976.0051

Jean Anouilh: Stages in Rebellion by B.A. Lenski (review)

pp. 308-309 | DOI: 10.1353/mdr.1976.0016

Off-Stage Voices, Interviews with Modern French Dramatists by Bettina Knapp (review)

pp. 309-310 | DOI: 10.1353/mdr.1976.0023

Beckett and Broadcasting: A Study of the Works of Samuel Beckett for and in Radio and Television by Clas Zilliacus (review)

pp. 310-314 | DOI: 10.1353/mdr.1976.0030


p. 1 | DOI: 10.1353/mdr.1976.0036

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