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In this Issue

Table of Contents

  1. The Games Dürrenmatt Plays
  2. Gabriele Scott Robinson
  3. pp. 325-335
  4. DOI: https://doi.org/10.1353/mdr.1975.0053
  5. restricted access
  1. Remobilization from the Left: Peter Weiss' Viet Nam Discourse
  2. Thomas A. Kamla
  3. pp. 337-348
  4. DOI: https://doi.org/10.1353/mdr.1975.0057
  5. restricted access
  1. Possibility and Form in Max Frisch's Biography: A Game
  2. Peter Ruppert
  3. pp. 349-355
  4. DOI: https://doi.org/10.1353/mdr.1975.0039
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  1. Physical Imagery in the Works of Griselda Gámbaro
  2. Sandra Messinger Cypess
  3. pp. 357-364
  4. DOI: https://doi.org/10.1353/mdr.1975.0042
  5. restricted access
  1. Three Sisters, Time, and the Audience
  2. William Babula
  3. pp. 365-369
  4. DOI: https://doi.org/10.1353/mdr.1975.0045
  5. restricted access
  1. Beyond Absurdity: Albee's Awareness of Audience in Tiny Alice
  2. Richard M. Coe
  3. pp. 371-383
  4. DOI: https://doi.org/10.1353/mdr.1975.0048
  5. restricted access
  1. Rehearsal as Critical Method: Pinter's Old Times
  2. Lawrence I. Eilenberg
  3. pp. 385-392
  4. DOI: https://doi.org/10.1353/mdr.1975.0051
  5. restricted access

Book Reviews

  1. Le Théâtre de Dérision by Emmanuel Jacquart (review)
  2. Ruby Cohn
  3. pp. 393-394
  4. DOI: https://doi.org/10.1353/mdr.1975.0055
  5. restricted access
  1. Six Dramatists in Search of a Language: Studies in Dramatic Language by Andrew K. Kennedy (review)
  2. J.L. Styan
  3. pp. 394-395
  4. DOI: https://doi.org/10.1353/mdr.1975.0038
  5. restricted access
  1. Back to Beckett by Ruby Cohn (review)
  2. Vincent J. Murphy
  3. pp. 395-396
  4. DOI: https://doi.org/10.1353/mdr.1975.0041
  5. restricted access
  1. Arthur Adamov by John H. Reilly (review)
  2. Margaret Dietemann
  3. pp. 397-398
  4. DOI: https://doi.org/10.1353/mdr.1975.0044
  5. restricted access
  1. Toward a Modern Theatre: Kishida Kunio by J. Thomas Rimer (review)
  2. Frank Hoff
  3. pp. 398-399
  4. DOI: https://doi.org/10.1353/mdr.1975.0047
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  1. Ismael i Öknen: Strindberg som Mystiker by Göran Stockenström (review)
  2. Harry Lane
  3. pp. 399-401
  4. DOI: https://doi.org/10.1353/mdr.1975.0050
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  1. The Illusion. An Essay on Politics, Theatre and the Novel by David Caute, and: Plays, Politics, and Polemics by Catharine Hughes (review)
  2. Edward M. Berckman
  3. pp. 401-403
  4. DOI: https://doi.org/10.1353/mdr.1975.0054
  5. restricted access
  1. People's Theatre in Amerika by Karen Malpede Taylor, and: Guerilla Theater: Scenarios for Revolution by John Weisman (review)
  2. Edward M. Berckman
  3. pp. 403-404
  4. DOI: https://doi.org/10.1353/mdr.1975.0037
  5. restricted access
  1. Three Works by the Open Theater ed. by Karen Malpede (review)
  2. Eileen Blumenthal
  3. pp. 404-407
  4. DOI: https://doi.org/10.1353/mdr.1975.0040
  5. restricted access
  1. The Pirandellian Mode in Spanish Literature by Wilma Newberry (review)
  2. Patricia W. O'Connor
  3. pp. 407-409
  4. DOI: https://doi.org/10.1353/mdr.1975.0043
  5. restricted access
  1. British Theatre 1950-70 by Arnold P. Hinchcliffe, and: Drama in Britain 1964-1973 by J.W. Lambert (review)
  2. Malcolm Page
  3. pp. 409-411
  4. DOI: https://doi.org/10.1353/mdr.1975.0046
  5. restricted access
  1. E. G. & E. G. O.: Emma Goldman and The Iceman Cometh by Winifred Fraser (review)
  3. pp. 411-412
  4. DOI: https://doi.org/10.1353/mdr.1975.0049
  5. restricted access
  1. Contributors
  3. p. i
  4. DOI: https://doi.org/10.1353/mdr.1975.0056
  5. restricted access
  1. Table of Contents Volume XVIII, 1975
  3. pp. ii-iv
  4. DOI: https://doi.org/10.1353/mdr.1975.0052
  5. restricted access