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  Volume 18, Number 4, Winter 1975

Table of Contents

The Games Dürrenmatt Plays

pp. 325-335

Remobilization from the Left: Peter Weiss' Viet Nam Discourse

pp. 337-348

Possibility and Form in Max Frisch's Biography: A Game

pp. 349-355

Physical Imagery in the Works of Griselda Gámbaro

pp. 357-364

Three Sisters, Time, and the Audience

pp. 365-369

Beyond Absurdity: Albee's Awareness of Audience in Tiny Alice

pp. 371-383

Rehearsal as Critical Method: Pinter's Old Times

pp. 385-392

Book Reviews

Le Théâtre de Dérision by Emmanuel Jacquart (review)

pp. 393-394

Six Dramatists in Search of a Language: Studies in Dramatic Language by Andrew K. Kennedy (review)

pp. 394-395

Back to Beckett by Ruby Cohn (review)

pp. 395-396

Arthur Adamov by John H. Reilly (review)

pp. 397-398

Toward a Modern Theatre: Kishida Kunio by J. Thomas Rimer (review)

pp. 398-399

Ismael i Öknen: Strindberg som Mystiker by Göran Stockenström (review)

pp. 399-401

The Illusion. An Essay on Politics, Theatre and the Novel by David Caute, and: Plays, Politics, and Polemics by Catharine Hughes (review)

pp. 401-403

People's Theatre in Amerika by Karen Malpede Taylor, and: Guerilla Theater: Scenarios for Revolution by John Weisman (review)

pp. 403-404

Three Works by the Open Theater ed. by Karen Malpede (review)

pp. 404-407

The Pirandellian Mode in Spanish Literature by Wilma Newberry (review)

pp. 407-409

British Theatre 1950-70 by Arnold P. Hinchcliffe, and: Drama in Britain 1964-1973 by J.W. Lambert (review)

pp. 409-411

E. G. & E. G. O.: Emma Goldman and The Iceman Cometh by Winifred Fraser (review)

pp. 411-412


p. i

Table of Contents Volume XVIII, 1975

pp. ii-iv

Research Areas


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