Volume 17, Number 3, Fall 1974

Table of Contents

"The Zola of the Occult": Strindberg's Experimental Method

pp. 251-266
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Patterns of Structure and Character in Ibsen's Rosmersholm

pp. 267-275
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Tragic Heroism in Rosmersholm

pp. 277-288
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Ibsen's Endgame: A Reconsideration of When We Dead Awaken

pp. 289-299
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Eliot's The Cocktail Party: Comic Perspective as Salvation

pp. 301-306
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Christopher Fry's Curtmantle: The Form of Unity

pp. 307-318
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Counter-Components in Yeats's At the Hawk's Well

pp. 319-328
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Pinero: From Farce to Social Drama

pp. 329-344
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Book Reviews

The Cart and the Trumpet: The Plays of Bernard Shaw by Maurice Valency (review)

pp. 345-346
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A Sociology of Popular Drama by J. S. R. Goodlad (review)

pp. 346-351
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Contradictory Characters: An Interpretation of the Modern Theatre by Albert Bermel (review)

pp. 351-352
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Jean Anouilh: An Annotated Bibliography by Kathleen White Kelly (review)

pp. 352-353
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Das Moderne Drama in Deutschland by Walter Hinck (review)

pp. 353-354
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Estranging Dawn: The Life and Works of William Vaughn Moody by Maurice F. Brown (review)

pp. 354-355
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Shaw — "The Chucker-Out," by Allan Chappelow (review)

pp. 355-358
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Individuum und Gesellschaft im Englischen Drama der Gegenwart: Arnold Wesker und Harold Pinter by Günther Klotz (review)

pp. 358-359
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The Theatre in Search of a Fix by Robert W. Corrigan (review)

pp. 359-360
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Contributors

p. 1
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