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  Volume 17, Number 3, Fall 1974

Table of Contents

"The Zola of the Occult": Strindberg's Experimental Method

pp. 251-266 | DOI: 10.1353/mdr.1974.0038

Patterns of Structure and Character in Ibsen's Rosmersholm

pp. 267-275 | DOI: 10.1353/mdr.1974.0005

Tragic Heroism in Rosmersholm

pp. 277-288 | DOI: 10.1353/mdr.1974.0011

Ibsen's Endgame: A Reconsideration of When We Dead Awaken

pp. 289-299 | DOI: 10.1353/mdr.1974.0017

Eliot's The Cocktail Party: Comic Perspective as Salvation

pp. 301-306 | DOI: 10.1353/mdr.1974.0023

Christopher Fry's Curtmantle: The Form of Unity

pp. 307-318 | DOI: 10.1353/mdr.1974.0030

Counter-Components in Yeats's At the Hawk's Well

pp. 319-328 | DOI: 10.1353/mdr.1974.0036

Pinero: From Farce to Social Drama

pp. 329-344 | DOI: 10.1353/mdr.1974.0003

Book Reviews

The Cart and the Trumpet: The Plays of Bernard Shaw by Maurice Valency (review)

pp. 345-346 | DOI: 10.1353/mdr.1974.0009

A Sociology of Popular Drama by J. S. R. Goodlad (review)

pp. 346-351 | DOI: 10.1353/mdr.1974.0015

Contradictory Characters: An Interpretation of the Modern Theatre by Albert Bermel (review)

pp. 351-352 | DOI: 10.1353/mdr.1974.0021

Jean Anouilh: An Annotated Bibliography by Kathleen White Kelly (review)

pp. 352-353 | DOI: 10.1353/mdr.1974.0028

Das Moderne Drama in Deutschland by Walter Hinck (review)

pp. 353-354 | DOI: 10.1353/mdr.1974.0034

Estranging Dawn: The Life and Works of William Vaughn Moody by Maurice F. Brown (review)

pp. 354-355 | DOI: 10.1353/mdr.1974.0001

Shaw — "The Chucker-Out," by Allan Chappelow (review)

pp. 355-358 | DOI: 10.1353/mdr.1974.0007

Individuum und Gesellschaft im Englischen Drama der Gegenwart: Arnold Wesker und Harold Pinter by Günther Klotz (review)

pp. 358-359 | DOI: 10.1353/mdr.1974.0013

The Theatre in Search of a Fix by Robert W. Corrigan (review)

pp. 359-360 | DOI: 10.1353/mdr.1974.0019


p. 1 | DOI: 10.1353/mdr.1974.0025

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