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  Volume 15, Number 4, Winter 1972

Table of Contents

From: Modern Drama

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p. iii


Entretiens avec Eugène Ionesco

pp. 347-350

Krapp's Last Tape as Tragicomedy

pp. 351-354

The Radical Idealism of The Screens

pp. 355-368

Genet—Triana—Kopit: Ritual as "Danse Macabre"

pp. 369-381

Artaud's Use of Language, Sound, and Tone

pp. 383-390

Strindberg, Antoine and Lugné-Poë: A Study in Cross-Purposes

pp. 391-401

Ibsen and Nietzsche: A Reading of The Master Builder

pp. 403-410

Robert Lowell's Benito Cereno

pp. 411-426

Synge and His Critics

pp. 427-431

A Case of Identity: The Source of Pirandello's As You Desire Me

pp. 433-439

Chehov's Magic Lake: A Reading of The Seagull

pp. 441-447

Alexander Popovic: Sound-Images, Metaphor-Scenes, and Audience-Involvement

pp. 449-456

Book Reviews

Accelerated Grimace: Expressionism in the American Drama of the 1920s by Mardi Valgemae (review)

pp. 457-459

Theatre of War by Eric Bentley (review)

pp. 459-461

Arthur Wing Pinero by Walter Lazenby (review)

pp. 461-463

Ramón del Valle-Inclán by Robert Lima (review)

pp. 463-464

Peter Handke by Nicholas Hern (review)

pp. 464-465

Conversation with Eugène Ionesco

pp. 465-468

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