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  Volume 15, Number 4, Winter 1972

Table of Contents

From: Modern Drama

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p. iii | DOI: 10.1353/mdr.1972.0036


Entretiens avec Eugène Ionesco

pp. 347-350 | DOI: 10.1353/mdr.1972.0052

Krapp's Last Tape as Tragicomedy

pp. 351-354 | DOI: 10.1353/mdr.1972.0048

The Radical Idealism of The Screens

pp. 355-368 | DOI: 10.1353/mdr.1972.0066

Genet—Triana—Kopit: Ritual as "Danse Macabre"

pp. 369-381 | DOI: 10.1353/mdr.1972.0039

Artaud's Use of Language, Sound, and Tone

pp. 383-390 | DOI: 10.1353/mdr.1972.0069

Strindberg, Antoine and Lugné-Poë: A Study in Cross-Purposes

pp. 391-401 | DOI: 10.1353/mdr.1972.0073

Ibsen and Nietzsche: A Reading of The Master Builder

pp. 403-410 | DOI: 10.1353/mdr.1972.0062

Robert Lowell's Benito Cereno

pp. 411-426 | DOI: 10.1353/mdr.1972.0055

Synge and His Critics

pp. 427-431 | DOI: 10.1353/mdr.1972.0033

A Case of Identity: The Source of Pirandello's As You Desire Me

pp. 433-439 | DOI: 10.1353/mdr.1972.0045

Chehov's Magic Lake: A Reading of The Seagull

pp. 441-447 | DOI: 10.1353/mdr.1972.0059

Alexander Popovic: Sound-Images, Metaphor-Scenes, and Audience-Involvement

pp. 449-456 | DOI: 10.1353/mdr.1972.0042

Book Reviews

Accelerated Grimace: Expressionism in the American Drama of the 1920s by Mardi Valgemae (review)

pp. 457-459 | DOI: 10.1353/mdr.1972.0038

Theatre of War by Eric Bentley (review)

pp. 459-461 | DOI: 10.1353/mdr.1972.0051

Arthur Wing Pinero by Walter Lazenby (review)

pp. 461-463 | DOI: 10.1353/mdr.1972.0044

Ramón del Valle-Inclán by Robert Lima (review)

pp. 463-464 | DOI: 10.1353/mdr.1972.0058

Peter Handke by Nicholas Hern (review)

pp. 464-465 | DOI: 10.1353/mdr.1972.0065

Conversation with Eugène Ionesco

pp. 465-468 | DOI: 10.1353/mdr.1972.0072

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