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  Volume 14, Number 4, Winter 1971

Table of Contents

From: Modern Drama

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The Contributors

p. iii
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Articles

Synge's Tragic Vision of the Old Mother and the Sea

pp. 363-372
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The Spectator Seized by the Theatre: Strindberg's The Ghost Sonata

pp. 373-386
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Dialect in the Plays of Sean O'Casey

pp. 387-391
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The Ambivalence of The Cocktail Party

pp. 392-404
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The Christian Concept in Murder in the Cathedral

pp. 405-407
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Winterset: Four Influences on Mio

pp. 408-412
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Joe Orton: His Brief Career

pp. 413-419
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A Description of the Cornell Collection of Eugene O'Neill's Letters to George Jean Nathan

pp. 420-425
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Theory and Performance in the Depression Theater

pp. 426-435
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Chekhov's "Five Sisters"

pp. 436-440
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Yeats's Symbolic Farce: The Player Queen

pp. 441-448
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The Early Dramas of Reinhard Johannes Sorge: A Poet's Search for the Inner Light

pp. 449-454
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Asian Theatre

pp. 455-462
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Beyond the Waste Land: An Interpretation of John Whiting's Saints Day

pp. 463-477
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Book Reviews

Harold Pinter by Ronald Hayman, and: Harold Pinter by John Russell Taylor, and: A Casebook on Harold Pinter's the Homecoming ed. by John Lahr (review)

pp. 478-479
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Theatre and Nationalism in 20th-Century Ireland ed. by Robert O'Driscoll (review)

pp. 480-481
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Ibsen: A Biography by Michael Meyer, and: Ibsen: A Portrait of the Artist by Hans Heiberg (review)

pp. 481-483
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Brecht and Ionesco: Commitment in Context by Julian H. Wulbern (review)

pp. 483-485
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Brendan by Ulick O'Connor (review)

pp. 485-486
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Harold Pinter by Alrene Sykes, and: The Dramatic World of Harold Pinter-Its Basis in Ritual by Katherine H. Burkman (review)

pp. 486-487
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The Writings of J. M. Synge by Robin Skelton, and: J. M. Synge and His World by Robin Skelton (review)

pp. 487-488
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Research Areas

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