We cannot verify your location
Browse Book and Journal Content on Project MUSE
OR

  Volume 13, Number 3, Fall 1970

Table of Contents

From: Modern Drama

Previous Issue Next Issue

The Contributors

p. iii
|

Articles

The Freedom of the German Repertoire

pp. 237-246
|

Note

p. 246

Preliminary Notes on the German Dramaturg and American Theater

pp. 254-258
|

The Invisible Theater: The Rise of Radio Drama in Germany after 1945

pp. 259-269
|

Duerrenmatt's Physicists and the Tragic Tradition

pp. 270-275
|

Dürrenmatt's Play Strindberg

pp. 276-283
|

The Lonely Baal: Brecht's First Play as a Parody of Hanns Johst's Der Einsame

pp. 284-303
|

Peter Weiss's Marat/Sade

pp. 304-315
|

Interview with Martin Walser

pp. 316-323
|

German Drama in Poland After World War II

pp. 324-335
|

Book Review

The Playwright As Entertainer.

pp. 336-340
|

Fragments of a Journal by Eugène Ionesco (review)

pp. 341-342
|

Das Groteske und das Absurde Im Modernen Drama by Arnold Heidsieck (review)

pp. 342-343
|

Friedrich Dürrenmatt by Armin Arnold (review)

pp. 343-344

Frank Wedekind by Sol Gittleman (review)

pp. 344-345
|

The Making of T. S. Eliot's Plays by E. Martin Browne (review)

pp. 345-346
|

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access