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  Volume 13, Number 2, Summer 1970

Table of Contents

From: Modern Drama

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The Contributors

p. iii | DOI: 10.1353/mdr.1970.0061


J. M. Synge's Playboy: A Necessary Reassessment

pp. 111-128 | DOI: 10.1353/mdr.1970.0069

A Rare Theatrical Journal: The Arthurian Theatre Magazine

pp. 129-132 | DOI: 10.1353/mdr.1970.0011

The Logic of Illogic: Ionesco's Victims of Duty

pp. 133-138 | DOI: 10.1353/mdr.1970.0057

Athol Fugard's Hello and Goodbye

pp. 139-155 | DOI: 10.1353/mdr.1970.0033

Note: Sean O'Casey Bibliography

p. 155

The Rugged Individualists of Henry De Montherlant

pp. 156-168 | DOI: 10.1353/mdr.1970.0049

The Relationship of Setting and Idea in Peer Gynt

pp. 169-173 | DOI: 10.1353/mdr.1970.0007

Fernando Arrabal and the New Theater of Obsession

pp. 174-183 | DOI: 10.1353/mdr.1970.0018

A Reading of The Firebugs

pp. 185-190 | DOI: 10.1353/mdr.1970.0045

A New Look at the Drama of "Job"

pp. 191-200 | DOI: 10.1353/mdr.1970.0029

Some Attitudes and a Posture: Religious Metaphor and Ritual in Tennessee Williams' Query of the American God

pp. 201-215 | DOI: 10.1353/mdr.1970.0022

Samuel Beckett's Embers: "A Matter of Fundamental Sounds"

pp. 216-225 | DOI: 10.1353/mdr.1970.0040

Book Reviews

An O'Neill Concordance by J. Russell Reaver (review)

pp. 226-228 | DOI: 10.1353/mdr.1970.0042

The Discording of Eugene O'Neill: A Companion Piece.

pp. 228-229 | DOI: 10.1353/mdr.1970.0054

Brecht-Dialog 1968: Politik auf dem Theater ed. by Werner Hecht (review)

pp. 229-230 | DOI: 10.1353/mdr.1970.0066

Negro Playwrights in the American Theatre, 1925-1959 by Doris E. Abramson (review)

p. 231 | DOI: 10.1353/mdr.1970.0000

Antonin Artaud, Man of Vision by Bettina Knapp (review)

pp. 231-232 | DOI: 10.1353/mdr.1970.0004

Shaw The Dramatist by Louis Crompton (review)

pp. 233-234 | DOI: 10.1353/mdr.1970.0015

Recollections of George Bernard Shaw: The Private Life of the Public Man—Revealed by Those Who Knew Him Best by R. J. Minney (review)

pp. 234-235 | DOI: 10.1353/mdr.1970.0026

Language and Laughter: Comic Diction in the Plays of Bernard Shaw by John A. Mills (review)

p. 236 | DOI: 10.1353/mdr.1970.0037

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