1. Blanco Posnet—Adversary of God
  2. Raymond S. Nelson
  3. pp. 1-9
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  1. Alfred Jarry and the Theater of His Time
  2. Manuel L. Grossman
  3. pp. 10-21
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  1. The Tempters in Albee's Tiny Alice
  2. Mary Elizabeth Campbell
  3. pp. 22-33
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  1. Arthur Miller and the Meaning of Tragedy
  2. Robert A. Martin
  3. pp. 34-39
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  1. The Curtain Speech in Dürrenmatt's The Physicists
  2. Kurt J. Fickert
  3. pp. 40-46
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  1. Note
  2. p. 46
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  1. Political Allegory in O'Casey's Purple Dust
  2. John J. McLaughlin
  3. pp. 47-53
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  1. Serjeant Musgrave's Problem
  2. Robert John Jordan
  3. pp. 54-62
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  1. The Elusive Horses in The Sea Gull
  2. Burton Kendle
  3. pp. 63-66
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  1. The Character of Jimmy Porter: An Approach to Look Back in Anger
  2. M. D. Faber
  3. pp. 67-77
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  1. The Social Theme in Osborne's Plays
  2. David H. Karrfalt
  3. pp. 78-82
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  1. Rabindranath Tagore as a Playwright
  2. Mohan Lal Sharma
  3. pp. 83-92
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  1. Philip Barry: A Dramatists Search
  2. Walter J. Meserve
  3. pp. 93-99
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  1. Bernard Shaw & [sic] The Art of Destroying Ideals: The Early Plays by Charles A. Carpenter (review)
  2. Arthur H. Nethercot
  3. pp. 100-101
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  1. Jugend in Wien: Eine Autobiographie by Arthur Schnitzler (review)
  2. Francis H. Heller
  3. pp. 101-103
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  1. Bertolt Brecht: The Despair and the Polemic by Charles R. Lyons (review)
  2. Claude Hill
  3. pp. 103-105
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  1. Drama Nach Brecht: Eine Einführung in Dramatische Probleme der Gegenwart by Rainer Taëni (review)
  2. John C. Hammer
  3. p. 105
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  1. Towards a Poor Theatre by Jerzy Grotowski (review)
  2. E. J. Czerwinski
  3. pp. 106-107
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  1. An Impersonation of Angels: A Biography of Jean Cocteau by Frederick Brown (review)
  2. Ulrich Weisstein
  3. pp. 107-109
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  1. Classics for Contemporaries: Old Dramas for New Theaters (review)
  2. Miglio Rienzi
  3. pp. 109-110
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  1. The Contributors
  2. p. iii
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