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Table of Contents

  1. Ibsen's Wild Duck
  2. Janel M. Mueller
  3. pp. 347-355
  4. DOI: https://doi.org/10.1353/mdr.1968.0049
  5. restricted access
  1. Bernard Shaw and Psychoanalysis
  2. Arthur H. Nethercot
  3. pp. 356-375
  4. DOI: https://doi.org/10.1353/mdr.1968.0055
  5. restricted access
  1. Note
  2. p. 375
  3. restricted access
  1. Ghelderode's Red Magic: Gold and the Use of the Christian Myth
  2. Iska Fraidstern
  3. pp. 376-381
  4. DOI: https://doi.org/10.1353/mdr.1968.0061
  5. restricted access
  1. The Uncommon Cocktail Party
  2. Marjorie J. Lightfoot
  3. pp. 382-395
  4. DOI: https://doi.org/10.1353/mdr.1968.0068
  5. restricted access
  1. A Note on "Yeats on the Possibility of an English Poetic Drama"
  2. Rupin W. Desai
  3. pp. 396-399
  4. DOI: https://doi.org/10.1353/mdr.1968.0034
  5. restricted access
  1. Deirdre: The "Mingling of Contraries" in Plot and Symbolism
  2. Sister Margaret Patrice Slattery
  3. pp. 400-403
  4. DOI: https://doi.org/10.1353/mdr.1968.0040
  5. restricted access
  1. J. M. Synge's Deirdre of the Sorrows: Beauty Only
  2. Herbert V. Fackler
  3. pp. 404-409
  4. DOI: https://doi.org/10.1353/mdr.1968.0046
  5. restricted access
  1. Brecht's Galileo: Its Development from Ideational into Ideological Theater
  2. Otto M. Sorensen
  3. pp. 410-422
  4. DOI: https://doi.org/10.1353/mdr.1968.0052
  5. restricted access
  1. Note
  2. Gerhard Zuther
  3. p. 422
  4. restricted access
  1. Biblical Perversions in Desire Under the Elms
  2. Peter L. Hays
  3. pp. 423-428
  4. DOI: https://doi.org/10.1353/mdr.1968.0058
  5. restricted access
  1. Educating the Prophets
  2. James A. Michie
  3. pp. 429-431
  4. DOI: https://doi.org/10.1353/mdr.1968.0065
  5. restricted access
  1. Adultery and Disappointment in Who's Afraid of Virginia Woolf?
  2. Richard J. Dozier
  3. pp. 432-436
  4. DOI: https://doi.org/10.1353/mdr.1968.0032
  5. restricted access
  1. Old and New in London Now
  2. Andrew K. Kennedy
  3. pp. 437-446
  4. DOI: https://doi.org/10.1353/mdr.1968.0038
  5. restricted access
  1. Le Théâtre Moderne Depuis la Deuxième Guerre Mondiale (review)
  2. Germaine Brée
  3. pp. 447-448
  4. DOI: https://doi.org/10.1353/mdr.1968.0044
  5. restricted access
  1. Harold Pinter by Arnold Hinchliffe (review)
  2. Augusta Walker
  3. pp. 448-449
  4. DOI: https://doi.org/10.1353/mdr.1968.0050
  5. restricted access
  1. Etude sur le Théâtre Dada et Surréaliste by Henri Béhar (review)
  2. Herbert S. Gershman
  3. p. 449
  4. DOI: https://doi.org/10.1353/mdr.1968.0056
  5. restricted access
  1. Love as Death in The Iceman Cometh by Winifred Dusenbury Frazer (review)
  2. Cyrus Day
  3. pp. 449-450
  4. DOI: https://doi.org/10.1353/mdr.1968.0062
  5. restricted access
  1. Existence and Imagination, the Theatre of Henry de Montherlant by John Batchelor (review)
  2. Laurent LeSage
  3. pp. 450-451
  4. DOI: https://doi.org/10.1353/mdr.1968.0030
  5. restricted access
  1. The Piscator Experiment: The Political Theatre by Maris Ley-Piscator (review)
  2. Don B. Wilmeth
  3. pp. 451-452
  4. DOI: https://doi.org/10.1353/mdr.1968.0036
  5. restricted access
  1. Indian Dances: Their History and Growth by Rina Singha and Reginald Massey (review)
  2. Farley Richmond
  3. p. 454
  4. DOI: https://doi.org/10.1353/mdr.1968.0048
  5. restricted access
  1. You Never Can Tell by Bernard Shaw (review)
  2. Arthur H. Nethercot
  3. p. 455
  4. DOI: https://doi.org/10.1353/mdr.1968.0060
  5. restricted access
  1. American Theatre ed. by John Russell Brown and Bernard Harris (review)
  2. Murray Hartman
  3. pp. 455-456
  4. DOI: https://doi.org/10.1353/mdr.1968.0054
  5. restricted access
  1. The Contributors
  2. p. iii
  3. DOI: https://doi.org/10.1353/mdr.1968.0067
  4. restricted access