restricted access   Volume 11, Number 3, Fall 1968

Table of Contents

From: Modern Drama

Previous Issue Next Issue

The Contributors

p. iii


Synge's Prose Writings: A First View of the Whole

pp. 221-226

Sainthood for Millionaires: Major Barbara

pp. 227-244

John Bull's Other Island-Yeats and Shaw

pp. 245-251

O'Casey and Yeats and the Druid

pp. 252-262

The Four-Act Version of The Importance of Being Earnest

pp. 263-266

Trials in the Soundscape: The Radio Plays of Samuel Beckett

pp. 267-282

The Futile Encounter in the Plays of John Whiting

pp. 283-298

Samuel Beckett's Film

pp. 299-305

John Arden's Use of the Stage

pp. 306-316

Whatever Happened to Arnold Wesker?: His Recent Plays

pp. 317-325

Pinter's A Slight Ache as Ritual

pp. 326-335

Book reviews

W. B. Yeats and Georgian Ireland by Donald Torchiana (review)

pp. 336-338

Harold Pinter by Martin Esslin (review)

pp. 338-339

All for Hecuba: An Irish Theatrical Autobiography by Michéal MacLiammóir (review)

pp. 339-341

What Shaw Really Said by Ruth Adam, and: Bernard Shaw and the Theater in the Nineties: A Study of Shaw's Dramatic Criticism by Harold Fromm, and: The Wit and Satire of Bernard Shaw by Fred Mayne (review)

pp. 341-345

Harold Pinter by Walter Kerr (review)

pp. 345-346