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  Volume 10, Number 4, Winter 1967

Table of Contents

The Contributors

p. iii

The Lady Gregory Letters to G. B. Shaw

pp. 331-345
|

The Two Published Versions of Sean O'Casey's Within the Gates

pp. 346-355
|

Yeats's The Hour Glass

pp. 356-363
|

The Mythic Pattern in Lorca's Blood Wedding

pp. 364-371
|

Tragic Effect in The Hairy Ape

pp. 372-382
|

Linda's Role in Death of a Salesman

pp. 383-386
|

Satiric Theme and Structure in Murder in the Cathedral

pp. 387-393
|

Oscar Wilde and his First Comedy

pp. 394-396
|

Contemporary Japanese Theater: Symbolism in Shūsaku Endō's Ōgon No Kuni

pp. 397-400
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Frank Wedekind and Bertolt Brecht: Notes on a Relationship

pp. 401-409
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Reconciliation of Movement and Form in Diana and Tuda

pp. 410-415
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A Reading of Ionesco's The Killer

pp. 416-423
|

Hamm, Clov, and Dramatic Method in Endgame

pp. 424-433
|

Book Reviews

Shaw and the Charlatan Genius/A Memoir by John O'Donovan with Eighteen Illustrations (review)

pp. 434-435
|

The Plays of Thornton Wilder by Donald Haberman (review)

pp. 436-437
|

Brecht's Tradition by Max Spalter (review)

pp. 437-438
|

Theatre in Southeast Asia by James R. Brandon (review)

pp. 438-439
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The Art of Oscar Wilde by Epifanio San Juan (review)

pp. 439-440
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Research Areas

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