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  Volume 10, Number 4, Winter 1967

Table of Contents

The Contributors

p. iii

The Lady Gregory Letters to G. B. Shaw

pp. 331-345 | DOI: 10.1353/mdr.1967.0033

The Two Published Versions of Sean O'Casey's Within the Gates

pp. 346-355 | DOI: 10.1353/mdr.1967.0043

Yeats's The Hour Glass

pp. 356-363 | DOI: 10.1353/mdr.1967.0052

The Mythic Pattern in Lorca's Blood Wedding

pp. 364-371 | DOI: 10.1353/mdr.1967.0061

Tragic Effect in The Hairy Ape

pp. 372-382 | DOI: 10.1353/mdr.1967.0070

Linda's Role in Death of a Salesman

pp. 383-386 | DOI: 10.1353/mdr.1967.0020

Satiric Theme and Structure in Murder in the Cathedral

pp. 387-393 | DOI: 10.1353/mdr.1967.0029

Oscar Wilde and his First Comedy

pp. 394-396 | DOI: 10.1353/mdr.1967.0039

Contemporary Japanese Theater: Symbolism in Shūsaku Endō's Ōgon No Kuni

pp. 397-400 | DOI: 10.1353/mdr.1967.0048

Frank Wedekind and Bertolt Brecht: Notes on a Relationship

pp. 401-409 | DOI: 10.1353/mdr.1967.0057

Reconciliation of Movement and Form in Diana and Tuda

pp. 410-415 | DOI: 10.1353/mdr.1967.0066

A Reading of Ionesco's The Killer

pp. 416-423 | DOI: 10.1353/mdr.1967.0016

Hamm, Clov, and Dramatic Method in Endgame

pp. 424-433 | DOI: 10.1353/mdr.1967.0025

Book Reviews

Shaw and the Charlatan Genius/A Memoir by John O'Donovan with Eighteen Illustrations (review)

pp. 434-435 | DOI: 10.1353/mdr.1967.0035

The Plays of Thornton Wilder by Donald Haberman (review)

pp. 436-437 | DOI: 10.1353/mdr.1967.0045

Brecht's Tradition by Max Spalter (review)

pp. 437-438 | DOI: 10.1353/mdr.1967.0054

Theatre in Southeast Asia by James R. Brandon (review)

pp. 438-439 | DOI: 10.1353/mdr.1967.0063

The Art of Oscar Wilde by Epifanio San Juan (review)

pp. 439-440 | DOI: 10.1353/mdr.1967.0073

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