1. Japanese Idea of a Theatre
  2. M. Ueda
  3. pp. 348-357
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  1. Ts'ao Yü, the Reluctant Disciple of Chekhov: A Comparative Study of Sunrise and The Cherry Orchard
  2. Joseph S. M. Lau
  3. pp. 358-372
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  1. Medieval Artistic Elements in Japanese Folk Theater
  2. James T. Araki
  3. pp. 373-388
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  1. T'ien Han and the Romantic Ibsen
  2. Constantine Tung
  3. pp. 389-395
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  1. The Social Role of Popular Theater of Southeast Asia
  2. James R. Brandon
  3. pp. 396-403
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  1. Hung Teng Chi: The Red Lantern: an Example of Contemporary Chinese Dramatic Experimentation
  2. A. C. Scott
  3. pp. 404-411
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  1. Mori Ōgai: Three Plays and the Problem of Identity
  2. Frank T. Motofuji
  3. pp. 412-430
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  1. Two Chinese Adaptations of Eugene O'Neill's The Emperor Jones
  2. David Y. Chen
  3. pp. 431-439
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  1. Nakamura Kichizō's A Vicarage (1910) and Ibsen
  2. T. Satō
  3. pp. 440-450
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  1. Asian Drama: A Collection of Festival Papers ed. by Henry W. Wells (review)
  2. P. G. O'Neill
  3. p. 451
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  1. Folk Theater of India by Balwant Gargi (review)
  2. Henry W. Wells
  3. pp. 451-452
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  1. The Great Po Sein: A Chronicle of the Burmese Theatre by Kenneth Sein and Jospeh A. Withey (review)
  2. Faubion Bowers
  3. pp. 452-454
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  1. Nippon Engeki Bunkashiwa (Episodes from the History of the Japanese Theater) by Shigetoshi Kawatake (review)
  2. Kinya Tsuruta
  3. pp. 454-455
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  1. Kabuki Costume by Ruth M. Shaver (review)
  2. Earle Ernst
  3. pp. 455-456
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  1. Creativity in the Theatre: A Psychoanalytic Study by Philip Weissman (review)
  2. George E. Wellwarth
  3. pp. 459-461
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  1. Modern Tragicomedy by Karl S. Guthke (review)
  2. Walter N. King
  3. pp. 461-464
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  1. The Library and Museum of the Performing Arts and Contemporary Theatre Architecture (review)
  2. Norris Houghton
  3. pp. 464-466
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  1. Irish Renaissance ed. by Robin Skelton and David R. Clark (review)
  2. Harold Orel
  3. p. 466
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  1. James Bridie: Clown and Philosopher by Helen L. Luyben (review)
  2. Anne Greene
  3. pp. 466-468
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  1. Eugene O'Neill by Frederic I. Carpenter (review)
  2. Jordan Y. Miller
  3. pp. 468-469
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  1. Anouilh: A Study in Theatrics by John Harvey (review)
  2. Raymond Federman
  3. pp. 469-471
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  1. The Drama of Comedy: Victim and Victor by Nelvin Vos (review)
  2. John Cerovski
  3. pp. 471-472
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  1. Acting Is Believing: A Basic Method by Charles McGaw (review)
  2. Allen Crafton
  3. p. 472
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  1. The Contributors
  2. p. iii
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  1. Introduction
  2. Toshihiko Sato
  3. p. 347
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