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  Volume 6, Number 4, Winter 1963

Table of Contents

The Contributors

p. iii
|

Pirandello's Mirror

pp. 331-345
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Pirandello and His French Echo Anouilh

pp. 346-367
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Moral Perspective in Pirandello

pp. 368-377
|

Three Major Symbols in Four Plays by Pirandello

pp. 378-396
|

Masks and Mummeries in Enrico IV and Caligula

pp. 397-401
|

The Folk Hero in Modern American Drama

pp. 402-416
|

Samuel Beckett and Happy Days

pp. 417-424
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Parallels and the Possibility of Influence Between Simone Weil's Waiting for God and Samuel Beckett's Waiting for Godot

pp. 425-436
|

Saint Joan as Epic Tragedy

pp. 437-449
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Synge's First Love: Some South African Aspects

pp. 450-460
|

Book Reviews

Shaw and the Nineteenth-Century Theater by Martin Meisel (review)

p. 461
|

Lady Gregory, Selected Plays by Elizabeth Coxhead (review)

pp. 462-463
|

Yeats the Playwright: A Commentary on Character and Design in the Major Plays by Peter Ure (review)

pp. 463-464
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Yeats's Vision and the Later Plays by Helen Hennessy Vendler (review)

pp. 464-465
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Drama in a World of Science by Glynne Wickham (review)

p. 466
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Religion in Modern English Drama by Gerald Weales (review)

pp. 466-468
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Shaw on Shakespeare: An Anthology of Bernard Shaw's Writings on the Plays and Production of Shakespeare ed. by Edwin Wilson (review)

pp. 468-469
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The Alienated Hero in Modern French Drama by Robert Emmet Jones (review)

pp. 469-470
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Theatre in India by Balwant Gargi (review)

p. 471
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Eugene O'Neill by Clifford Leech (review)

p. 472
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Research Areas

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