1. Pirandello's Mirror
  2. Marvin Rosenberg
  3. pp. 331-345
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  1. Pirandello and His French Echo Anouilh
  2. Alba Della Fazia
  3. pp. 346-367
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  1. Moral Perspective in Pirandello
  2. Morris Freedman
  3. pp. 368-377
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  1. Three Major Symbols in Four Plays by Pirandello
  2. Frederick May
  3. pp. 378-396
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  1. Masks and Mummeries in Enrico IV and Caligula
  2. Edward B. Savage
  3. pp. 397-401
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  1. The Folk Hero in Modern American Drama
  2. John T. Flanagan
  3. pp. 402-416
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  1. Samuel Beckett and Happy Days
  2. Richard M. Eastman
  3. pp. 417-424
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  1. Parallels and the Possibility of Influence Between Simone Weil's Waiting for God and Samuel Beckett's Waiting for Godot
  2. Robert S. Cohen
  3. pp. 425-436
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  1. Saint Joan as Epic Tragedy
  2. Stanley J. Solomon
  3. pp. 437-449
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  1. Synge's First Love: Some South African Aspects
  2. Ronald Ayling
  3. pp. 450-460
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  1. Shaw and the Nineteenth-Century Theater by Martin Meisel (review)
  2. William Irvine
  3. p. 461
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  1. Lady Gregory, Selected Plays by Elizabeth Coxhead (review)
  2. Robert Hogan
  3. pp. 462-463
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  1. Yeats the Playwright: A Commentary on Character and Design in the Major Plays by Peter Ure (review)
  2. Donna Gerstenberger
  3. pp. 463-464
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  1. Yeats's Vision and the Later Plays by Helen Hennessy Vendler (review)
  2. Bernard Heringman
  3. pp. 464-465
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  1. Drama in a World of Science by Glynne Wickham (review)
  2. Roger L. Clubb
  3. p. 466
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  1. Religion in Modern English Drama by Gerald Weales (review)
  2. Kenneth Thorpe Rowe
  3. pp. 466-468
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  1. The Alienated Hero in Modern French Drama by Robert Emmet Jones (review)
  2. Thomas Bishop
  3. pp. 469-470
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  1. Theatre in India by Balwant Gargi (review)
  2. Harold Ehrensperger
  3. p. 471
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  1. Eugene O'Neill by Clifford Leech (review)
  2. Jordan Y. Miller
  3. p. 472
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  1. The Contributors
  2. p. iii
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