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  Volume 6, Number 4, Winter 1963

Table of Contents

The Contributors

p. iii

Pirandello's Mirror

pp. 331-345

Pirandello and His French Echo Anouilh

pp. 346-367

Moral Perspective in Pirandello

pp. 368-377

Three Major Symbols in Four Plays by Pirandello

pp. 378-396

Masks and Mummeries in Enrico IV and Caligula

pp. 397-401

The Folk Hero in Modern American Drama

pp. 402-416

Samuel Beckett and Happy Days

pp. 417-424

Parallels and the Possibility of Influence Between Simone Weil's Waiting for God and Samuel Beckett's Waiting for Godot

pp. 425-436

Saint Joan as Epic Tragedy

pp. 437-449

Synge's First Love: Some South African Aspects

pp. 450-460

Book Reviews

Shaw and the Nineteenth-Century Theater by Martin Meisel (review)

p. 461

Lady Gregory, Selected Plays by Elizabeth Coxhead (review)

pp. 462-463

Yeats the Playwright: A Commentary on Character and Design in the Major Plays by Peter Ure (review)

pp. 463-464

Yeats's Vision and the Later Plays by Helen Hennessy Vendler (review)

pp. 464-465

Drama in a World of Science by Glynne Wickham (review)

p. 466

Religion in Modern English Drama by Gerald Weales (review)

pp. 466-468

Shaw on Shakespeare: An Anthology of Bernard Shaw's Writings on the Plays and Production of Shakespeare ed. by Edwin Wilson (review)

pp. 468-469

The Alienated Hero in Modern French Drama by Robert Emmet Jones (review)

pp. 469-470

Theatre in India by Balwant Gargi (review)

p. 471

Eugene O'Neill by Clifford Leech (review)

p. 472

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