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  Volume 8, Number 3, Fall 1965

Table of Contents

The Contributors

p. iii

The Divine Plan Behind the Plays of Friedrich Dürrenmatt

pp. 237-246


p. 246

Genet's Black Mass

pp. 247-258

Beckett's Metaphysical Tragicomedy

pp. 259-267

The Becket Plays: Eliot, Fry, and Anouilh

pp. 268-276

Becket and Honor: A Trim Reckoning

pp. 277-283

The Boy with a Cart

pp. 284-292

Christopher Fry's A Phoenix Too Frequent: A Study in Source and Symbol

pp. 293-302

Synge's Playboy as Mock-Christ

pp. 303-310

Bertolt Brecht's Baal: The Structure of Images

pp. 311-323

Montherlant's Aesthetics

pp. 324-331

Bibliography on Michel de Ghelderode

pp. 332-334

Book Reviews

An Anthology of German Expressionist Drama ed. by Walter H. Sokel (review)

pp. 335-336

The Personal Vision of Ingmar Bergman by Jörn Donner (review)

pp. 336-337

George Bernard Shaw on Language ed. by Abraham Tauber (review)

pp. 337-338

Bernard Shaw: Man and Writer by Audrey Williamson (review)

pp. 338-340

The Infernal Machine and Other Plays by Jean Cocteau (review)

pp. 340-341

Scholars and Gypsies by Walter Starkie (review)

p. 342

Eugène Ionesco, Notes and Counter Notes, Writings on the Theatre by Donald Watson (review)

pp. 342-344

Sean O'Casey, the Man Behind the Plays by Saros Cowasjee (review)

pp. 344-345

Modern French Theatre. The Avant-Garde, Dada, and Surrealism by Michael Benedikt and George E. Wellwarth (review)

pp. 345-346

Research Areas


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