Volume 8, Number 3, Fall 1965

Table of Contents

The Contributors

p. iii
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The Divine Plan Behind the Plays of Friedrich Dürrenmatt

pp. 237-246
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Note

p. 246
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Genet's Black Mass

pp. 247-258
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Beckett's Metaphysical Tragicomedy

pp. 259-267
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The Becket Plays: Eliot, Fry, and Anouilh

pp. 268-276
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Becket and Honor: A Trim Reckoning

pp. 277-283
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The Boy with a Cart

pp. 284-292
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Christopher Fry's A Phoenix Too Frequent: A Study in Source and Symbol

pp. 293-302
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Synge's Playboy as Mock-Christ

pp. 303-310
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Bertolt Brecht's Baal: The Structure of Images

pp. 311-323
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Montherlant's Aesthetics

pp. 324-331
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Bibliography on Michel de Ghelderode

pp. 332-334
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Book Reviews

An Anthology of German Expressionist Drama ed. by Walter H. Sokel (review)

pp. 335-336
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The Personal Vision of Ingmar Bergman by Jörn Donner (review)

pp. 336-337
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George Bernard Shaw on Language ed. by Abraham Tauber (review)

pp. 337-338
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Bernard Shaw: Man and Writer by Audrey Williamson (review)

pp. 338-340
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The Infernal Machine and Other Plays by Jean Cocteau (review)

pp. 340-341
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Scholars and Gypsies by Walter Starkie (review)

p. 342
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Eugène Ionesco, Notes and Counter Notes, Writings on the Theatre by Donald Watson (review)

pp. 342-344
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Sean O'Casey, the Man Behind the Plays by Saros Cowasjee (review)

pp. 344-345
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Modern French Theatre. The Avant-Garde, Dada, and Surrealism by Michael Benedikt and George E. Wellwarth (review)

pp. 345-346
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