Project MUSE - Modern Drama-Volume 8, Number 3, Fall 1965

The Contributors

p. iii | DOI: 10.1353/mdr.1965.0057

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The Divine Plan Behind the Plays of Friedrich Dürrenmatt

pp. 237-246 | DOI: 10.1353/mdr.1965.0063

Robert Holzapfel

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Note

p. 246 | DOI: 10.1353/mdr.1965.0076

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Genet's Black Mass

pp. 247-258 | DOI: 10.1353/mdr.1965.0068

R. A. Zimbardo

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Beckett's Metaphysical Tragicomedy

pp. 259-267 | DOI: 10.1353/mdr.1965.0074

Richard Lee Francis

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The Becket Plays: Eliot, Fry, and Anouilh

pp. 268-276 | DOI: 10.1353/mdr.1965.0058

Emil Roy

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Becket and Honor: A Trim Reckoning

pp. 277-283 | DOI: 10.1353/mdr.1965.0064

Jesse C. Gatlin Jr.

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The Boy with a Cart

pp. 284-292 | DOI: 10.1353/mdr.1965.0069

John Ferguson

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Christopher Fry's A Phoenix Too Frequent: A Study in Source and Symbol

pp. 293-302 | DOI: 10.1353/mdr.1965.0037

Stanley M. Wiersma

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Synge's Playboy as Mock-Christ

pp. 303-310 | DOI: 10.1353/mdr.1965.0043

Howard D. Pearce

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Bertolt Brecht's Baal: The Structure of Images

pp. 311-323 | DOI: 10.1353/mdr.1965.0049

Charles R. Lyons

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Montherlant's Aesthetics

pp. 324-331 | DOI: 10.1353/mdr.1965.0055

Jonathan R. Price

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Bibliography on Michel de Ghelderode

pp. 332-334 | DOI: 10.1353/mdr.1965.0061

Samuel Draper, Lois Alworth

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An Anthology of German Expressionist Drama ed. by Walter H. Sokel (review)

pp. 335-336 | DOI: 10.1353/mdr.1965.0042

Leonard Quirino

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The Personal Vision of Ingmar Bergman by Jörn Donner (review)

pp. 336-337 | DOI: 10.1353/mdr.1965.0048

Rev. Emile G. McAnany S.J.

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George Bernard Shaw on Language ed. by Abraham Tauber (review)

pp. 337-338 | DOI: 10.1353/mdr.1965.0054

Stephen S. Stanton

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Bernard Shaw: Man and Writer by Audrey Williamson (review)

pp. 338-340 | DOI: 10.1353/mdr.1965.0060

Arthur H. Nethercot

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The Infernal Machine and Other Plays by Jean Cocteau (review)

pp. 340-341 | DOI: 10.1353/mdr.1965.0066

Ulrich Weisstein

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Scholars and Gypsies by Walter Starkie (review)

p. 342 | DOI: 10.1353/mdr.1965.0040

Michael J. O'Neill

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Eugène Ionesco, Notes and Counter Notes, Writings on the Theatre by Donald Watson (review)

pp. 342-344 | DOI: 10.1353/mdr.1965.0072

Leonard C. Pronko

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Sean O'Casey, the Man Behind the Plays by Saros Cowasjee (review)

pp. 344-345 | DOI: 10.1353/mdr.1965.0046

Denis Johnston

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Modern French Theatre. The Avant-Garde, Dada, and Surrealism by Michael Benedikt and George E. Wellwarth (review)

pp. 345-346 | DOI: 10.1353/mdr.1965.0052

Thomas Bishop

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Volume 8, Number 3, Fall 1965

Table of Contents

The Contributors

The Divine Plan Behind the Plays of Friedrich Dürrenmatt

Note

Genet's Black Mass

Beckett's Metaphysical Tragicomedy

The Becket Plays: Eliot, Fry, and Anouilh

Becket and Honor: A Trim Reckoning

The Boy with a Cart

Christopher Fry's A Phoenix Too Frequent: A Study in Source and Symbol

Synge's Playboy as Mock-Christ

Bertolt Brecht's Baal: The Structure of Images

Montherlant's Aesthetics

Bibliography on Michel de Ghelderode

Book Reviews

An Anthology of German Expressionist Drama ed. by Walter H. Sokel (review)

The Personal Vision of Ingmar Bergman by Jörn Donner (review)

George Bernard Shaw on Language ed. by Abraham Tauber (review)

Bernard Shaw: Man and Writer by Audrey Williamson (review)

The Infernal Machine and Other Plays by Jean Cocteau (review)

Scholars and Gypsies by Walter Starkie (review)

Eugène Ionesco, Notes and Counter Notes, Writings on the Theatre by Donald Watson (review)

Sean O'Casey, the Man Behind the Plays by Saros Cowasjee (review)

Modern French Theatre. The Avant-Garde, Dada, and Surrealism by Michael Benedikt and George E. Wellwarth (review)

Research Areas

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