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Modern Drama
From:
Modern Drama
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Volume 8, Number 3, Fall 1965
Table of Contents
The Contributors
p. iii
|
DOI:
10.1353/mdr.1965.0057
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The Divine Plan Behind the Plays of Friedrich Dürrenmatt
pp. 237-246
|
DOI:
10.1353/mdr.1965.0063
Robert Holzapfel
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Note
p. 246
|
DOI:
10.1353/mdr.1965.0076
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Genet's Black Mass
pp. 247-258
|
DOI:
10.1353/mdr.1965.0068
R. A. Zimbardo
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Beckett's Metaphysical Tragicomedy
pp. 259-267
|
DOI:
10.1353/mdr.1965.0074
Richard Lee Francis
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The Becket Plays: Eliot, Fry, and Anouilh
pp. 268-276
|
DOI:
10.1353/mdr.1965.0058
Emil Roy
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Becket
and Honor: A Trim Reckoning
pp. 277-283
|
DOI:
10.1353/mdr.1965.0064
Jesse C. Gatlin Jr.
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The Boy with a Cart
pp. 284-292
|
DOI:
10.1353/mdr.1965.0069
John Ferguson
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Christopher Fry's
A Phoenix Too Frequent
: A Study in Source and Symbol
pp. 293-302
|
DOI:
10.1353/mdr.1965.0037
Stanley M. Wiersma
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Synge's Playboy as Mock-Christ
pp. 303-310
|
DOI:
10.1353/mdr.1965.0043
Howard D. Pearce
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Bertolt Brecht's
Baal
: The Structure of Images
pp. 311-323
|
DOI:
10.1353/mdr.1965.0049
Charles R. Lyons
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Montherlant's Aesthetics
pp. 324-331
|
DOI:
10.1353/mdr.1965.0055
Jonathan R. Price
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Bibliography on Michel de Ghelderode
pp. 332-334
|
DOI:
10.1353/mdr.1965.0061
Samuel Draper
,
Lois Alworth
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Book Reviews
An Anthology of German Expressionist Drama
ed. by Walter H. Sokel (review)
pp. 335-336
|
DOI:
10.1353/mdr.1965.0042
Leonard Quirino
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The Personal Vision of Ingmar Bergman
by Jörn Donner (review)
pp. 336-337
|
DOI:
10.1353/mdr.1965.0048
Rev. Emile G. McAnany S.J.
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George Bernard Shaw on Language
ed. by Abraham Tauber (review)
pp. 337-338
|
DOI:
10.1353/mdr.1965.0054
Stephen S. Stanton
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Bernard Shaw: Man and Writer
by Audrey Williamson (review)
pp. 338-340
|
DOI:
10.1353/mdr.1965.0060
Arthur H. Nethercot
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The Infernal Machine and Other Plays
by Jean Cocteau (review)
pp. 340-341
|
DOI:
10.1353/mdr.1965.0066
Ulrich Weisstein
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Scholars and Gypsies
by Walter Starkie (review)
p. 342
|
DOI:
10.1353/mdr.1965.0040
Michael J. O'Neill
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Eugène Ionesco, Notes and Counter Notes, Writings on the Theatre
by Donald Watson (review)
pp. 342-344
|
DOI:
10.1353/mdr.1965.0072
Leonard C. Pronko
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Sean O'Casey, the Man Behind the Plays
by Saros Cowasjee (review)
pp. 344-345
|
DOI:
10.1353/mdr.1965.0046
Denis Johnston
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Modern French Theatre. The Avant-Garde, Dada, and Surrealism
by Michael Benedikt and George E. Wellwarth (review)
pp. 345-346
|
DOI:
10.1353/mdr.1965.0052
Thomas Bishop
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Modern Drama
Volume 8, Number 3, Fall 1965
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