1. The Divine Plan Behind the Plays of Friedrich Dürrenmatt
  2. Robert Holzapfel
  3. pp. 237-246
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  1. Note
  3. p. 246
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  1. Genet's Black Mass
  2. R. A. Zimbardo
  3. pp. 247-258
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  1. Beckett's Metaphysical Tragicomedy
  2. Richard Lee Francis
  3. pp. 259-267
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  1. The Becket Plays: Eliot, Fry, and Anouilh
  2. Emil Roy
  3. pp. 268-276
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  1. Becket and Honor: A Trim Reckoning
  2. Jesse C. Gatlin Jr.
  3. pp. 277-283
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  1. The Boy with a Cart
  2. John Ferguson
  3. pp. 284-292
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  1. Christopher Fry's A Phoenix Too Frequent: A Study in Source and Symbol
  2. Stanley M. Wiersma
  3. pp. 293-302
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  1. Synge's Playboy as Mock-Christ
  2. Howard D. Pearce
  3. pp. 303-310
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  1. Bertolt Brecht's Baal: The Structure of Images
  2. Charles R. Lyons
  3. pp. 311-323
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  1. Montherlant's Aesthetics
  2. Jonathan R. Price
  3. pp. 324-331
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  1. Bibliography on Michel de Ghelderode
  2. Samuel Draper, Lois Alworth
  3. pp. 332-334
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  1. An Anthology of German Expressionist Drama ed. by Walter H. Sokel (review)
  2. Leonard Quirino
  3. pp. 335-336
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  1. The Personal Vision of Ingmar Bergman by Jörn Donner (review)
  2. Rev. Emile G. McAnany S.J.
  3. pp. 336-337
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  1. George Bernard Shaw on Language ed. by Abraham Tauber (review)
  2. Stephen S. Stanton
  3. pp. 337-338
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  1. Bernard Shaw: Man and Writer by Audrey Williamson (review)
  2. Arthur H. Nethercot
  3. pp. 338-340
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  1. The Infernal Machine and Other Plays by Jean Cocteau (review)
  2. Ulrich Weisstein
  3. pp. 340-341
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  1. Scholars and Gypsies by Walter Starkie (review)
  2. Michael J. O'Neill
  3. p. 342
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  1. Eugène Ionesco, Notes and Counter Notes, Writings on the Theatre by Donald Watson (review)
  2. Leonard C. Pronko
  3. pp. 342-344
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  1. Sean O'Casey, the Man Behind the Plays by Saros Cowasjee (review)
  2. Denis Johnston
  3. pp. 344-345
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  1. Modern French Theatre. The Avant-Garde, Dada, and Surrealism by Michael Benedikt and George E. Wellwarth (review)
  2. Thomas Bishop
  3. pp. 345-346
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  1. The Contributors
  3. p. iii
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