1. Editorial Remarks: Recognizing Critique
  2. Graham MacPhee
  3. pp. 7-9
  4. DOI: 10.1353/lit.2013.0002
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  1. The Secondariness of Virgilian Epic and Its Unprecedented Originality
  2. William Franke
  3. pp. 11-31
  4. DOI: 10.1353/lit.2013.0005
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  1. A Sense of Our Uniqueness: Gender and Time in Joseph Brodsky’s “Lullaby”
  2. Michael Lavers
  3. pp. 32-44
  4. DOI: 10.1353/lit.2013.0000
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  1. Charlie Chaplin in the Age of Mechanical Reproduction: Reflexive Ambiguity in Modern Times
  2. Lawrence Howe
  3. pp. 45-65
  4. DOI: 10.1353/lit.2013.0007
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  1. Titus, Broadway, and Disney’s Magic Capitalism; or, the Wonderful World of Julie Taymor
  2. Thomas P. Anderson
  3. pp. 66-95
  4. DOI: 10.1353/lit.2013.0008
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  1. Cheaters, Saints, and Simultaneous Narrative: Early and Postmodern Lessons from Thomas More’s The History of Richard III
  2. Christine Hoffmann
  3. pp. 96-120
  4. DOI: 10.1353/lit.2013.0006
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  1. Intertextual Links: Reading Uncle Tom’s Cabin in James Weldon Johnson’s The Autobiography of an Ex-Colored Man
  2. Robin Miskolcze
  3. pp. 121-138
  4. DOI: 10.1353/lit.2013.0004
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  1. William Faulkner: Seeing Through the South (review)
  2. Joanna Davis-McElligatt
  3. pp. 139-141
  4. DOI: 10.1353/lit.2013.0003
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  1. Bodies and Books: Reading and the Fantasy of Communion in Nineteenth-Century America (review)
  2. Erin Kappeler
  3. pp. 142-144
  4. DOI: 10.1353/lit.2013.0009
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  1. American Literature’s Aesthetic Dimensions (review)
  2. Jacob Brogan
  3. pp. 145-148
  4. DOI: 10.1353/lit.2013.0001
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  1. Books Received
  3. pp. 149-150
  4. DOI: 10.1353/lit.2013.0010
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