restricted access   Volume 54, Number 1, Spring 2013

Table of Contents

Editorial

pp. 5-6
|

Shadow Lives: Josephine Baker and the Body of Cinema

pp. 7-39
|

Two Degrees of Separation: Xhanfise Keko and the Albanian Children's Film

pp. 40-58
|

"The Gland School": Gertrude Atherton and the Two Black Oxen

pp. 59-76
|

Dossier: Architects on Film: Architects on the Frame

Introduction

pp. 79-81
|

Good Morning, Babylon: The Cathedral Is a Movie

pp. 82-84
|

The Epic Frame

pp. 85-87
|

Langsamkeit/Slowness: Meditating on the Frame: Blind Spots and the Construction of Erotic Space in Andrei Tarkovsky's Nostalgia

pp. 88-94
|

Black and White Equals Gray

pp. 95-97
|

Medianeras/Sidewalls: A Film by Gustavo Taretto

pp. 98-101
|

Out of Body Experience

pp. 102-104
|

Framing

pp. 105-107
|

Dark Matter

pp. 108-110
|

Silenzio! Fade Out into Blue: Notes on the Visual Presence of Absence in the Closure Frame of Le m├ępris

pp. 111-113
|

Kiss Me Deadly

pp. 114-119
|