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  Volume 54, Number 1, Spring 2013

Table of Contents


pp. 5-6

Shadow Lives: Josephine Baker and the Body of Cinema

pp. 7-39

Two Degrees of Separation: Xhanfise Keko and the Albanian Children's Film

pp. 40-58

"The Gland School": Gertrude Atherton and the Two Black Oxen

pp. 59-76

Dossier: Architects on Film: Architects on the Frame


pp. 79-81

Good Morning, Babylon: The Cathedral Is a Movie

pp. 82-84

The Epic Frame

pp. 85-87

Langsamkeit/Slowness: Meditating on the Frame: Blind Spots and the Construction of Erotic Space in Andrei Tarkovsky's Nostalgia

pp. 88-94

Black and White Equals Gray

pp. 95-97

Medianeras/Sidewalls: A Film by Gustavo Taretto

pp. 98-101

Out of Body Experience

pp. 102-104


pp. 105-107

Dark Matter

pp. 108-110

Silenzio! Fade Out into Blue: Notes on the Visual Presence of Absence in the Closure Frame of Le m├ępris

pp. 111-113

Kiss Me Deadly

pp. 114-119

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