1. The Biblical Ruth as Dama Principal: Tirso’s La mejor espigadera
  2. Matthew D. Stroud
  3. pp. 1-13
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  1. Warrior Women, Unmanly Men: Mira de Amescua’s El clavo de Jael
  2. Gwyn E. Campbell
  3. pp. 15-32
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  1. Family Ties: Los trabajos de David y finezas de Michol and Las niñezes y primer triunfo de David
  2. William R. Blue
  3. pp. 33-43
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  1. From the Beautiful to the Sublime in Calderón’s El pintor de su deshonra
  2. Ariadna García-Bryce
  3. pp. 45-64
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  1. La ambigüedad interpretativa de El alcalde de Zalamea
  2. José Manuel Hidalgo
  3. pp. 65-82
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  1. Violent Masculinity Onstage and Off: A Rereading of Ana Caro’s Valor, agravio y mujer through the Memoir of Catalina de Erauso
  2. Rosie Seagraves
  3. pp. 83-99
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  1. Tirso de Molina and His Nephew: The Case for the Real Existence of Francisco Lucas de Ávila
  2. Henry Wells Sullivan, Luciana da Cunha Monteiro
  3. pp. 101-136
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  1. Comedias ‘desdobladas’: Técnicas comerciales en El príncipe prodigioso de Juan de Matos y Agustín Moreto
  2. Oana Andreia Sambrian
  3. pp. 137-151
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  1. Cognitive Theories of Genre: The Prototype Effect and Early Modern Spanish Tragedy
  2. Barbara Simerka
  3. pp. 153-170
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  1. El periplo artístico de la escenificación de un clásico: La moza de cántaro de Lope de Vega
  2. Esther Fernández
  3. pp. 171-194
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  1. The Conquest on Trial (review)
  2. Benito Quintana
  3. pp. 195-197
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  1. El teatro en Murcia en el siglo XVII (1593–1695). Estudio y documentos (review)
  2. Vanessa Cañete Jurado
  3. pp. 198-200
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  1. The Persistence of Presence: Emblem and Ritual in Baroque Spain (review)
  2. Charles Patterson
  3. pp. 201-202
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  1. Reading Performance: Spanish Golden-Age Theatre and Shakespeare on the Modern Stage (review)
  2. Margaret E. Boyle
  3. pp. 203-204
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  1. Editor’s Note
  2. Edward H. Friedman
  3. p. ix
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