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Table of Contents

  1. The Ideologies of Le Printemps 71: Adamov's "Metamorphosis" Reconsidered
  2. Gerhard Fischer
  3. pp. 97-108
  4. DOI: https://doi.org/10.1353/mdr.1979.0001
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  1. The Significance of the Trial Scenes in Ondine and The Madwoman of Chaillot
  2. Mark C. Pilkinton
  3. pp. 109-114
  4. DOI: https://doi.org/10.1353/mdr.1979.0007
  5. restricted access
  1. The Function of Repetition in the Plays of Chekhov
  2. Clayton A. Hubbs
  3. pp. 115-124
  4. DOI: https://doi.org/10.1353/mdr.1979.0013
  5. restricted access
  1. The Silver Tassie: The Post-World-War-I Legacy
  2. Ronald G. Rollins, Llewellyn Rabby
  3. pp. 125-135
  4. DOI: https://doi.org/10.1353/mdr.1979.0018
  5. restricted access
  1. Modern Drama Studies: An Annual Bibliography
  2. Charles A. Carpenter
  3. pp. 137-200
  4. DOI: https://doi.org/10.1353/mdr.1979.0023
  5. restricted access
  1. The Theater Essays of Arthur Miller ed. by Robert A. Martin (review)
  2. Leonard Moss
  3. pp. 201-203
  4. DOI: https://doi.org/10.1353/mdr.1979.0028
  5. restricted access
  1. Tennessee Williams: A Tribute ed. by Jac Tharpe, and: Tennessee Williams: A Collection of Critical Essays ed. by Stephen S. Stanton (review)
  2. Judith Hersh Clark
  3. pp. 203-210
  4. DOI: https://doi.org/10.1353/mdr.1979.0033
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  1. English Drama, 1900-1950: A Guide to Information Sources by E. H. Mikhail, and: Contemporary British Drama, 1950-1976: An Annotated Critical Blbliography by E. H. Mikhail (review)
  2. Charles A. Carpenter
  3. pp. 210-214
  4. DOI: https://doi.org/10.1353/mdr.1979.0004
  5. restricted access
  1. Contributors Notes
  3. p. 1
  4. DOI: https://doi.org/10.1353/mdr.1979.0010
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