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  Volume 16, Number 2, Summer 1973

Table of Contents


pp. 111-112

Le Bourgeois ou la Poésie du Rire

pp. 113-116


pp. 116-117

Formal Patterns in The Iceman Cometh

pp. 119-128

The Birth of Tragedy and The Great God Brown

pp. 129-140

Conventional Albee: Box and Chairman Mao

pp. 141-147

Timeless Relevance: Max Frisch's The Chinese Wall

pp. 149-156

Faulkner's Drusilla and Ibsen's Hedda

pp. 157-161

Religious Ritual in John Arden's Serjeant Musgrave's Dance

pp. 163-166

Actions that a Man Might Play: Pinter's The Birthday Party

pp. 167-178

Pinter's Landscape

pp. 179-183

The Absurd and the Hyper-Articulate in Shaw's Dramatic Language

pp. 185-192

Truth at the Bottom of a Well: Synge's The Well of the Saints

pp. 193-198

The Polyvalence of the Theatrical Language in No Exit

pp. 199-205

Book Reviews

Vintage Years of the Theatre Guild, 1928-1939 by Roy S. Waldau (review)

pp. 207-208

Henrik Ibsen: The Divided Consciousness by Charles R. Lyons, and: Catiline's Dream. An Essay on Ibsen's Plays by James Hurt, and: Ibsen: A Critical Study by John Northam (review)

pp. 208-212

Pinter: A Collection of Critical Essays ed. by Arthur Ganz (review)

pp. 212-213

Erwin Piscator's Political Theatre: The Development of Modern German Drama by C. D. Innes (review)

pp. 213-215

Dramatists in Canada: Selected Essays ed. by William H. New (review)

pp. 215-217

Le Bourgeois or the Poetry of Laughter

pp. 217-220


p. 220


p. 1

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