1. Storming the Fortress of the Peking Opera
  2. Mary Grace Swift
  3. pp. 111-123
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  1. Note
  2. p. 123
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  1. The Communist Anxiety: A Study of Two Chinese Plays
  2. Constantine Tung
  3. pp. 124-134
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  1. The Mouse in the Model
  2. William Willeford
  3. pp. 135-145
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  1. The Same Enemies: Notes on Certain Similarities Between Yeats and Strindberg
  2. Frederick S. Lapisardi
  3. pp. 146-154
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  1. The Father Christmas Passage in "Paid on Both Sides"
  2. Forrest E. Hazard
  3. pp. 155-164
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  1. Riot, Revolution, and The Weavers
  2. Ann B. Dobie
  3. pp. 165-172
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  1. Evangelism and Anarchy in The Iceman Cometh
  2. Robert C. Lee
  3. pp. 173-186
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  1. Ibsen vs. Ibsen Or: Two Versions of A Doll's House
  2. Marvin Rosenberg
  3. pp. 187-196
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  1. Jean Genet's Mirror Images in Le Balcon
  2. Harry E. Stewart
  3. pp. 197-203
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  1. Friedrich Dürrenmatt and the Tragedy of Bertolt Brecht.: An Interpretation of Die Wiedertäufer
  2. John C. Hammer
  3. pp. 204-209
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  1. Theatre Notebook: 1947-1967 by Jan Kott (review)
  2. Charles R. Lyons
  3. pp. 210-211
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  1. Types of Thematic Structure by Eugene H. Falk (review)
  2. Germaine Brée
  3. pp. 211-212
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  1. The Shaping Powers at Work: Fifteen Essays on Poetic Transmutation by Rudolf Stamm (review)
  2. Charles G. Masinton
  3. pp. 212-213
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  1. Christopher Fry by Emil Roy (review)
  2. Donna Gerstenberger
  3. pp. 213-214
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  1. English Drama: A Modern Viewpoint by Allardyce Nicoll (review)
  2. M. D. Faber
  3. pp. 215-217
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  1. Confrontation and Commitment, A Study of Contemporary American Drama 1959-66 by C. W. E. Bigsby (review)
  2. Robert Hogan
  3. pp. 217-219
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  1. Theater in America, The Import of Economic Forces, 1870-1967 by Jack Poggi (review)
  2. Walter J. Meserve
  3. pp. 219-220
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  1. The Contributors
  2. p. 1
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