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  Volume 11, Number 2, Summer 1968

Table of Contents

From: Modern Drama

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The Contributors

p. iii | DOI: 10.1353/mdr.1968.0027


Brecht: An Aristotelian Malgre Lui

pp. 111-121 | DOI: 10.1353/mdr.1968.0003

Bertolt Brecht and the Noh Drama

pp. 122-131 | DOI: 10.1353/mdr.1968.0008

Theory and Practice in Artaud and Carballido

pp. 132-142 | DOI: 10.1353/mdr.1968.0012


p. 142

Friedrich D├╝rrenmatt as Wolfgang Schwitter: An Autobiographical Interpretation of The Meteor

pp. 143-150 | DOI: 10.1353/mdr.1968.0016

Genet and Gelber: Studies in Addiction

pp. 151-156 | DOI: 10.1353/mdr.1968.0021

The Birth of Dion Boucicault

pp. 157-163 | DOI: 10.1353/mdr.1968.0025

The Lost Past in Death of a Salesman

pp. 164-172 | DOI: 10.1353/mdr.1968.0001

Mr. Pinter's Belinda

pp. 173-179 | DOI: 10.1353/mdr.1968.0006

Self-Revelation in An Ideal Husband

pp. 180-186 | DOI: 10.1353/mdr.1968.0010

The Cocktail Party and the Illusion of Autonomy

pp. 187-194 | DOI: 10.1353/mdr.1968.0014

Modern Drama: A Selective Bibliography of Works Published in English in 1967

pp. 195-213 | DOI: 10.1353/mdr.1968.0019

Book Reviews

The Theatre of Commitment by Eric Bentley (review)

pp. 214-217 | DOI: 10.1353/mdr.1968.0023

The Federal Theatre, 1935-1939 by Jane De Hart Mathews (review)

pp. 217-218 | DOI: 10.1353/mdr.1968.0028

A Guide to the Theatre and Drama Collections at the University of Texas by Frederick J. Hunter (review)

p. 218 | DOI: 10.1353/mdr.1968.0004

The World of Melodrama by Frank Rahill (review)

pp. 219-220

Research Areas


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